{"title":"All DCA Editions","description":"\u003cspan\u003eLimited edition artworks by artists who have taken part in our exhibitions programme, all created in DCA Print Studio. All DCA editions are unframed unless otherwise stated.\u003c\/span\u003e","products":[{"product_id":"brushing-against-strange-weeds-reflections-and-vibrations","title":"Brushing Against Strange Weeds (Reflections and Vibrations)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eMartin Boyce developed this series of three screenprints in DCA Print Studio. The works relate to his 2004 exhibition \u003cem\u003eBrushing Against Strange Weeds\u003c\/em\u003e at the Modern Institute, Glasgow and previous works shown at Tramway, Glasgow.\u003c\/p\u003e\n\u003cp\u003eThe first two prints stem from shapes seen in a photograph of four concrete trees created by Joël and Jan Martel for the 1925 ‘Exposition des Arts Décoratifs’ in Paris. Flattened and translated into strong urban colours reminiscent of industrial signage, in the artist’s words these trees \"represent a perfect collapse of architecture and nature”. The third print, \u003cem\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/em\u003e references his installation at Galerie Eva Presenhuber, Zurich and is based on two interlocking swimming pool parasols, which have faded in the sun.\u003c\/p\u003e\n\u003cp\u003eMartin Boyce was selected by DCA to represent Scotland at the 53rd International Art Exhibition of La Biennale di Venezia. This was the first occasion that Scotland had selected a single artist for representation. A specially commissioned \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/martin-boyce-no-brilliantly-coloured-birds\" target=\"_blank\"\u003eprint edition\u003c\/a\u003e and \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/no-reflections\" target=\"_blank\"\u003epublication\u003c\/a\u003e by Martin Boyce were released in conjunction with his project \u003ca href=\"https:\/\/www.dca.org.uk\/whats-on\/event\/no-reflections\" target=\"_blank\"\u003e\u003cem\u003eNo Reflections\u003c\/em\u003e\u003c\/a\u003e for Scotland and Venice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePart of a suite of three prints:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrushing Against Strange Weeds (Reflections and Vibrations)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/brushing-against-strange-weeds-shapes-and-noises\" target=\"_blank\"\u003eBrushing Against Strange Weeds (Shapes and Noises)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/we-are-resistant-we-dry-out-in-the-sun\" target=\"_blank\"\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of three prints can be purchased for £1,440 inc. VAT (unframed). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eFour colour screenprint on Fabriano 4 Liscia paper\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e100 x 70 cm (image size: 89 x 60 cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Martin Boyce\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eMartin Boyce is one of Scotland's most prominent artists and is well known for his sculptural installations that draw from the familiarity of our immediate urban or natural environments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“His works reference conventional public spaces - the playground, pedestrian subway, discarded or abandoned sites - to form a cohesive and immersive environment…sculptural forms recall conventional public furniture; benches, bins, signage and lighting. Drawing on the iconography and subsequent production of modernist design; these objects take on an alternative life by being displaced from their original context and purpose.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo Reflections, published by DCA, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Hamilton, Scotland in 1967, Martin Boyce lives and works in Glasgow. Recent exhibitions and public projects include Kaldor Art Projects, Melbourne; Ikon Gallery, Birmingham; Münster Sculpture Project, Münster; and Sculpture Center, New York. His works are held in many museum collections including the Tate collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Martin Boyce","offers":[{"title":"Brushing Against Strange Weeds (Reflections and Vibrations)","offer_id":28731093769,"sku":"","price":540.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 3 prints","offer_id":29335713545,"sku":"","price":1440.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Reflection_and_Vibrations.jpg?v=1505397043"},{"product_id":"brushing-against-strange-weeds-shapes-and-noises","title":"Brushing Against Strange Weeds (Shapes and Noises)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eMartin Boyce developed this series of three screenprints in DCA Print Studio. The works relate to his 2004 exhibition \u003cem\u003eBrushing Against Strange Weeds\u003c\/em\u003e at the Modern Institute, Glasgow and previous works shown at Tramway, Glasgow.\u003c\/p\u003e\n\u003cp\u003eThe first two prints stem from shapes seen in a photograph of four concrete trees created by Joël and Jan Martel for the 1925 ‘Exposition des Arts Décoratifs’ in Paris. Flattened and translated into strong urban colours reminiscent of industrial signage, in the artist’s words these trees \"represent a perfect collapse of architecture and nature”. The third print, \u003cem\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/em\u003e references his installation at Galerie Eva Presenhuber, Zurich and is based on two interlocking swimming pool parasols, which have faded in the sun.\u003c\/p\u003e\n\u003cp\u003eMartin Boyce was selected by DCA to represent Scotland at the 53rd International Art Exhibition of La Biennale di Venezia. This was the first occasion that Scotland had selected a single artist for representation. A specially commissioned \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/martin-boyce-no-brilliantly-coloured-birds\" target=\"_blank\"\u003eprint edition\u003c\/a\u003e and \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/no-reflections\"\u003epublication\u003c\/a\u003e by Martin Boyce were released in conjunction with his project \u003ca href=\"https:\/\/www.dca.org.uk\/whats-on\/event\/no-reflections\" target=\"_blank\"\u003e\u003cem\u003eNo Reflections\u003c\/em\u003e\u003c\/a\u003e for Scotland and Venice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePart of a suite of three prints:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/brushing-against-strange-weeds-reflections-and-vibrations\" target=\"_blank\"\u003eBrushing Against Strange Weeds (Reflections and Vibrations)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBrushing Against Strange Weeds (Shapes and Noises)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/we-are-resistant-we-dry-out-in-the-sun\" target=\"_blank\"\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSuite of three prints can be purchased for £1,440 inc. VAT (unframed). \u003cspan\u003ePlease select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eType\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eFour colour screenprint on Fabriano 4 Liscia paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e100 x 70cm (image size: 89 x 60cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Martin Boyce\u003c\/h3\u003e\n\u003cp\u003eMartin Boyce is one of Scotland's most prominent artists and is well known for his sculptural installations that draw from the familiarity of our immediate urban or natural environments:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“His works reference conventional public spaces - the playground, pedestrian subway, discarded or abandoned sites - to form a cohesive and immersive environment…sculptural forms recall conventional public furniture; benches, bins, signage and lighting. Drawing on the iconography and subsequent production of modernist design; these objects take on an alternative life by being displaced from their original context and purpose.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo Reflections, published by DCA, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Hamilton, Scotland in 1967, Martin Boyce lives and works in Glasgow. Recent exhibitions and public projects include Kaldor Art Projects, Melbourne; Ikon Gallery, Birmingham; Münster Sculpture Project, Münster; and Sculpture Center, New York. His works are held in many museum collections including the Tate collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Martin Boyce","offers":[{"title":"Brushing Against Strange Weeds (Shapes and Noises)","offer_id":28731516425,"sku":"","price":540.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 3 prints","offer_id":29335835209,"sku":"","price":1440.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Shapes_and_Noises.jpg?v=1505397084"},{"product_id":"emergent-landmass-a-chronicle-of-disappearance","title":"Emergent Landmass (A Chronicle of Disappearance)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eEmergent Landmass (A Chronicle of Disappearance)\u003c\/em\u003e is a series of seven etchings made by the artist at DCA for the exhibition \u003cem\u003eWhere The Wild Things Are\u003c\/em\u003e. These intricate drawings are part scientific exploration, part intuitive mark-making, emerging from real events but possessing their own internal language – that of the artist’s personal history. This series brings together components of a project about Ferdinandea, a volcanic island that emerged off the coast of Sicily in 1831 only to disappear months later. Situated on a strategic trade route, the island was claimed by a number of different countries and given seven different names.\u003c\/p\u003e\n\u003cp\u003eUsing a hard-ground etching technique she created a series of delicate linear depictions reminiscent of the historical geological illustrations within her research. The portfolio comprises a set of seven etchings of the ‘emergent landmass’, under its different designations, \u003cem\u003eSciacca, Nertita, Corrao, Hotham, Julia, Graham Island\u003c\/em\u003e and \u003cem\u003eFerdinandea\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA series of seven etchings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlate 1, Sciacca\u003c\/li\u003e\n\u003cli\u003ePlate 2, Nertita\u003c\/li\u003e\n\u003cli\u003ePlate 3, Corrao\u003c\/li\u003e\n\u003cli\u003ePlate 4, Hotham\u003c\/li\u003e\n\u003cli\u003ePlate 5, Julia\u003c\/li\u003e\n\u003cli\u003ePlate 6, Graham Island\u003c\/li\u003e\n\u003cli\u003ePlate 7, Ferdinandea\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eIndividual prints are priced at £144 \u003c\/span\u003eor buy the suite of seven prints in manila folder £864 inc. VAT (unframed). Please select desired Plate or Suite before adding to basket.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2006\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eEtching on Arches Velin Blanc (400gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e17 x 24cm per etching\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ilana Halperin\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIlana Halperin began her career as a stone carver. Her practice explores the relationship between geological phenomena and everyday life through a variety of media. Her work has involved the investigation of locations from the Karst Mountains in Guanxi, China to the cave networks of Slovenia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIlana Halperin was born in 1973 in New York and lives and works in Glasgow. Solo exhibitions include doggerfisher, Edinburgh; Manchester Museum; Tramway, Glasgow; and group exhibitions include Artist’s Space, New York; Portland Museum of Art Biennial, Maine; and ICI, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ilana Halperin","offers":[{"title":"Plate 1 Sciacca","offer_id":28731641673,"sku":"","price":144.0,"currency_code":"GBP","in_stock":false},{"title":"Plate 2 Nertita","offer_id":28731971273,"sku":"","price":144.0,"currency_code":"GBP","in_stock":false},{"title":"Plate 3 Corrao","offer_id":28731971337,"sku":"","price":144.0,"currency_code":"GBP","in_stock":false},{"title":"Plate 4 Hotham","offer_id":28731971401,"sku":"","price":144.0,"currency_code":"GBP","in_stock":true},{"title":"Plate 5 Julia","offer_id":28731971465,"sku":"","price":144.0,"currency_code":"GBP","in_stock":true},{"title":"Plate 6 Graham Island","offer_id":28731971529,"sku":"","price":144.0,"currency_code":"GBP","in_stock":true},{"title":"Plate 7 Ferdinandea","offer_id":28731971593,"sku":"","price":144.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 7 prints","offer_id":29337414857,"sku":"","price":864.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Plate_1.jpg?v=1505398853"},{"product_id":"thinking-about-adult-education","title":"Thinking about Adult Education","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eWith observational drawings being the starting point of this series of works, Nashashibi portrays a range of characters that appear to be lifted from their everyday surroundings. Backgrounds pale away, giving ground to intensity of thought. Deceptively simplistic representations of moments in domestic life appear as a snapshot, reduced to a single frame. Expressive lines alongside blocks of pure colour float within each scene.\u003cbr\u003e\u003cbr\u003eThe titles of the works, along with the abstract forms of colour suggest associations between socially relevant terms ('open source' or 'adult education') and specific colours and shapes. Possible visualisations of thought patterns emerge as the artist searches for representational forms for abstract ideas.\u003c\/p\u003e\n\u003cp\u003eNumbered and initialled by artist on front, titled on back.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Fabriano 5 Liscia (200gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e47.5 x 64cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Rosalind Nashashibi\u003c\/h3\u003e\n\u003cp\u003eRosalind Nashashibi’s main practice is as a maker of films that centre on the unobserved corners of everyday urban life. Focusing on what she calls the ‘presence of energy’ that exists in individuals, she creates a sense of complex moments in which the passing of time is seemingly slowed down for us.\u003c\/p\u003e\n\u003cp\u003eRosalind Nashashibi was born in 1973 in Croydon and lives and works in Glasgow. In 2003 she became the first female artist to win the Beck's Futures Award. She was awarded the Scottish Arts Council New York Residency in 2004. Her work was shown at Scotland and Venice in 2007 and is also held in the Tate collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Rosalind Nashashibi","offers":[{"title":"Default Title","offer_id":28732455561,"sku":"","price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Adult_Education.jpg?v=1505477710"},{"product_id":"screwed-up-man","title":"Screwed up Man","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eWith observational drawings being the starting point of this series of works, Nashashibi portrays a range of characters that appear to be lifted from their everyday surroundings. Backgrounds pale away, giving ground to intensity of thought. Deceptively simplistic representations of moments in domestic life appear as a snapshot, reduced to a single frame. Expressive lines alongside blocks of pure colour float within each scene.\u003cbr\u003e\u003cbr\u003eThe titles of the works, along with the abstract forms of colour suggest associations between socially relevant terms ('open source' or 'adult education') and specific colours and shapes. Possible visualisations of thought patterns emerge as the artist searches for representational forms for abstract ideas.\u003c\/p\u003e\n\u003cp\u003eSuite of three drawings:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eScrewed up Man (green)\u003c\/li\u003e\n\u003cli\u003eScrewed up Man (grey)\u003c\/li\u003e\n\u003cli\u003eScrewed up Man (pink)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePrints are £180 individually or buy all three for £480 inc. VAT (unframed). Please select before adding to basket.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Fabriano 5 Liscia (200gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e47.5 x 32cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\n\u003cspan\u003eNumbered and initialled by artist on front\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Rosalind Nashashibi\u003c\/h3\u003e\n\u003cp\u003eRosalind Nashashibi’s main practice is as a maker of films that centre on the unobserved corners of everyday urban life. Focusing on what she calls the ‘presence of energy’ that exists in individuals, she creates a sense of complex moments in which the passing of time is seemingly slowed down for us.\u003c\/p\u003e\n\u003cp\u003eRosalind Nashashibi was born in 1973 in Croydon and lives and works in Glasgow. In 2003 she became the first female artist to win the Beck's Futures Award. She was awarded the Scottish Arts Council New York Residency in 2004. Her work was shown at Scotland and Venice in 2007 and is also held in the Tate collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Rosalind Nashashibi","offers":[{"title":"green","offer_id":28732558921,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true},{"title":"grey","offer_id":28732641481,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true},{"title":"pink","offer_id":28732641545,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 3","offer_id":29359460681,"sku":"","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Screwed_Green.jpg?v=1505405019"},{"product_id":"horizon","title":"Horizon","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eJon Thomson and Alison Craighead have been working together as a collaborative duo since 1993. Much of their work explores how technology alters the way we perceive and understand the world. This print originates from a new work titled \u003cem\u003eHorizon\u003c\/em\u003e that Thomson \u0026amp; Craighead developed for DCA, and which was exhibited as a largescale wall projection in the 2009 exhibition \u003cem\u003eTimecode\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eDuring the course of the exhibition each line of images showed real time updates relayed by webcams selected from individual time zones around the world. In print format this work represents a simultaneous visual capture of one moment in time across the world’s time zones.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eArchival pigment print on Epson Premium Semigloss Photo paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e61.5 x 33cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist on verso\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Thomson \u0026amp; Craighead\u003c\/h3\u003e\n\u003cp\u003eJon Thomson (b. 1969, London) and Alison Craighead (b. 1971, Aberdeen) won an Arts Foundation Award in January 2005 and were fellows at the prestigious MacDowell Colony, New Hampshire in autumn 2004. Recent exhibitions include the Museum of Modern Art, San Francisco; ZKM, Karlsruhe; New Museum of Contemporary Art, New York and Tate Britain, London. A monograph on their work was published in May 2005 by Film \u0026amp; Video Umbrella, London.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Thomson \u0026 Craighead","offers":[{"title":"Default Title","offer_id":28732710281,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Horizon.jpg?v=1484675040"},{"product_id":"cat-s-paw-a-fragment","title":"Cat's Paw (A Fragment)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eCat’s Paw (A Fragment)\u003c\/em\u003e, was commissioned in 2006 during the DCA exhibition \u003cem\u003eWhere the Wild Things Are\u003c\/em\u003e in which The Lonely Piper’s work was featured. The subject of this work is a fictitious love affair between the artist and the River Tay. The title \u003cem\u003eCat’s Paw\u003c\/em\u003e is derived from an old sailors’ term describing a light breeze that moves a small area of the water’s surface. In the artist’s own words: \u003cem\u003ethe ‘Fragment’ part alludes to this verse being part of a larger piece of writing (a short poem originally entitled A Piper Dwam).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eUsing a hand-drawn image, the artist developed this screenprint in which his delicate strands of verse are suspended within the threads of a complex spider’s web: a recurring metaphor within his work.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2006\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eTwo colour screenprint on Somerset Satin White (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e78.5 x 76cm (image size: 50 x 50cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout The Lonely Piper\u003c\/h3\u003e\n\u003cp\u003eThe Lonely Piper describes himself as a ‘solitudinous soul and ancient provocateur… whose work is informed by the geographical, historical and cultural landscape and fictitious and fact-based Caledonian narratives.’\u003c\/p\u003e\n\u003cp\u003eThe Lonely Piper (C.R.M b.1975, Inverness \/ T.L.P b.1999, Rannoch Moor) graduated from Duncan of Jordanstone College of Art \u0026amp; Design, Dundee in 1998 and lives and works in Dundee. Selected group exhibitions include Bloomberg Space, London; The Embassy Gallery, Edinburgh; and Galeria Sztuki, Wozownia, Poland.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"The Lonely Piper","offers":[{"title":"Default Title","offer_id":28732742537,"sku":"","price":354.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Cat_s_Paw.jpg?v=1505397276"},{"product_id":"we-are-resistant-we-dry-out-in-the-sun","title":"We Are Resistant, We Dry Out in the Sun","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eMartin Boyce developed this series of three screenprints in DCA Print Studio. The works relate to his 2004 exhibition \u003cem\u003eBrushing Against Strange Weeds\u003c\/em\u003e at the Modern Institute, Glasgow and previous works shown at Tramway, Glasgow.\u003cbr\u003e\u003cbr\u003eThe first two prints stem from shapes seen in a photograph of four concrete trees created by Joël and Jan Martel for the 1925 ‘Exposition des Arts Décoratifs’ in Paris. Flattened and translated into strong urban colours reminiscent of industrial signage, in the artist’s words these trees \"represent a perfect collapse of architecture and nature”. The third print, \u003cem\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/em\u003e references his installation at Galerie Eva Presenhuber, Zurich and is based on two interlocking swimming pool parasols, which have faded in the sun.\u003cbr\u003e\u003cbr\u003eMartin Boyce was selected by DCA to represent Scotland at the 53rd International Art Exhibition of La Biennale di Venezia. This was the first occasion that Scotland had selected a single artist for representation. A specially commissioned \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/martin-boyce-no-brilliantly-coloured-birds\" target=\"_blank\"\u003eprint edition\u003c\/a\u003e and \u003ca href=\"https:\/\/shop.dca.org.uk\/products\/no-reflections\" target=\"_blank\"\u003epublication\u003c\/a\u003e by Martin Boyce were released in conjunction with his project \u003ca href=\"https:\/\/www.dca.org.uk\/whats-on\/event\/no-reflections\" target=\"_blank\"\u003e\u003cem\u003eNo Reflections\u003c\/em\u003e\u003c\/a\u003e for Scotland and Venice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePart of a suite of three prints:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/brushing-against-strange-weeds-reflections-and-vibrations\" target=\"_blank\"\u003eBrushing Against Strange Weeds (Reflections and Vibrations)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/brushing-against-strange-weeds-shapes-and-noises\" target=\"_blank\"\u003eBrushing Against Strange Weeds (Shapes and Noises)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eWe Are Resistant, We Dry Out in the Sun\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of three prints can be purchased for £1,440 inc. VAT (unframed). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eFour colour screenprint on Fabriano 4 Liscia paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e100 x 70cm (image size: 89 x 60cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Martin Boyce\u003c\/h3\u003e\n\u003cp\u003eMartin Boyce is one of Scotland's most prominent artists and is well known for his sculptural installations that draw from the familiarity of our immediate urban or natural environments:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“His works reference conventional public spaces - the playground, pedestrian subway, discarded or abandoned sites - to form a cohesive and immersive environment…sculptural forms recall conventional public furniture; benches, bins, signage and lighting. Drawing on the iconography and subsequent production of modernist design; these objects take on an alternative life by being displaced from their original context and purpose.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNo Reflections, published by DCA, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Hamilton, Scotland in 1967, Martin Boyce lives and works in Glasgow. Recent exhibitions and public projects include Kaldor Art Projects, Melbourne; Ikon Gallery, Birmingham; Münster Sculpture Project, Münster; and Sculpture Center, New York. His works are held in many museum collections including the Tate collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Martin Boyce","offers":[{"title":"We Are Resistant, We Dry Out in the Sun","offer_id":28733110729,"sku":"","price":540.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 3 prints","offer_id":29361236681,"sku":"","price":1440.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/We_Are_Resistant.jpg?v=1505478901"},{"product_id":"networked-leisure","title":"Networked Leisure","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eNeil Clements’ influences range from the formalist abstraction of 60s and 70s Modernism to the iconography of heavy metal music and punk. Clements was part of the 2008 exhibition \u003cem\u003eAltered States of Paint\u003c\/em\u003e at DCA and developed this print while working on the exhibition.\u003cbr\u003e\u003cbr\u003eThe origin of the print is a found archive image of canonical artists Frank Stella and Richard Serra playing basketball in the courtyard of the renowned Los Angeles print house Gemini G.E.L in 1972. Reduced almost to silhouettes suspended in mid air, and with no ball in sight, these inverted monochrome-on-black figures at once recapture the spirit of past ideologies whilst illustrating the impossibility of the separation of the subject from its origins.\u003cbr\u003e\u003cbr\u003eThis print is finished with an embossed insignia that represents the Gemini logo. In the artist’s words:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The print was produced as a response to a legacy of formalist art production and the sentimentality with which it is treated today. By overtly watermarking a Gemini archive image with its own logo the intention was to demonstrate how sealed or irreconcilably distant these works and figures seem.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNeil Clements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable height=\"33\" width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2008\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eRelief embossed screenprint on GFSmith ‘Plike’ Black paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e72 x 51cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Neil Clements\u003c\/h3\u003e\n\u003cp\u003eNeil Clements was born in 1982 in Northern Ireland and lives and works in Glasgow. He graduated from Glasgow School of Art in 2004 and has since exhibited his work extensively including: Collective Gallery, Edinburgh; Project Room, Glasgow; Galerie Markus Winter, Berlin, Konsortium, Dusseldorf, doggerfisher, Edinburgh and Grim Fine Art, Amsterdam. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Neil Clements","offers":[{"title":"Default Title","offer_id":28733267337,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Networked_Leisure.jpg?v=1505403415"},{"product_id":"mine","title":"Mine","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eRichard Deacon is one of the most prominent sculptors working today, renowned worldwide for his large-scale public works, many of which manipulate organic and industrial materials into expansive abstract forms. He has a longstanding interest in the practise of drawing and its relationship to sculpture. After exhibiting in the DCA galleries in 2001 he returned in 2005 to use the Print Studio facilities to produce this limited edition print.\u003cbr\u003e\u003cbr\u003eBeginning with free form doodles on layers of acetate, he allowed his outlines to transform through colour and configurations to result in this striking large format print. His lines seem to trace a particular thought process and evoke ideas of memory or exploration of form and space. From his initial intimate drafts emerged a weighty and imposing work that, whilst on paper, retains a prominent sense of sculptural mass.\u003cbr\u003e\u003cbr\u003eThe artist’s chosen title suggests a deliberately open meaning. In his own words:\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt could have been 'Between a Rock and a Hard Place' (which was okay) or 'Stones Throw', but I liked the three or four meanings (object, action, place, pronoun) and didn't really want to get into too many of the organic associations. I also think it started with doodling, which seems to me something that belongs to the person doodling very particularly, but idly. \u003c\/em\u003e\u003cstrong\u003eRichard Deacon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2005\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eThree colour screenprint on Arches Velin Blanc (400 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e105 x 130cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Richard Deacon\u003c\/h3\u003e\n\u003cp\u003eRichard Deacon was born in 1949 in Bangor, Wales and lives and works in London. He has held solo exhibitions throughout the world including The Serpentine, Whitechapel and Tate Galleries in London and a major retrospective of his work at Tate Liverpool. He was awarded the Turner Prize in 1987 and later received a CBE in 1999. In 2007 he represented Wales at the Venice Biennale. His work is held in collections worldwide including the Tate collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Richard Deacon","offers":[{"title":"Default Title","offer_id":28733326601,"sku":"","price":1128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Mine.jpg?v=1505402865"},{"product_id":"one-month-the-times","title":"One Month (The Times)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eGraham Dolphin’s practice involves the meticulous manipulation and re-interpretation of images from popular culture through sculpture, drawings, video and soundworks. Dolphin uses magazine covers and newspapers to intervene in and re-presents various forms of advertising and music. In all instances his work focuses on a particular moment in time and displays both endurance and obsession.\u003cbr\u003e\u003cbr\u003eFor DCA, Dolphin produced a condensed drawing that brings together 25 front cover images culled from The Times newspaper during the month of November 2008; a time of heightened political activity due to the U.S. presidential elections. This work was exhibited as part of the \u003cem\u003eTimecode\u003c\/em\u003e exhibition during the 10 year anniversary of DCA.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eEtching on Fabriano Artistico extra white (640 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e59.4 x 42cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout \u003cspan\u003eGraham Dolphin\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eGraham Dolphin was born in 1972 and lives and works in Newcastle upon Tyne. Selected exhibitions and projects include: Seventeen, London; BALTIC, Gateshead; mima, Middlesbrough; Bloomberg SPACE, London; and a collaborative project with Art Review and Mandarina Duck, London.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Graham Dolphin","offers":[{"title":"Default Title","offer_id":28733384329,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/One_Month.jpg?v=1505403711"},{"product_id":"untitled-black","title":"Untitled (black)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eThe DCA 2008 exhibition \u003cem\u003eStraight Letters\u003c\/em\u003e presented new work by Camilla Løw created specifically for the DCA galleries together with recent sculpture, later travelling to the Pier Arts Centre, Orkney. The artist’s first solo exhibition in the UK, the title \u003cem\u003eStraight Letters\u003c\/em\u003e reflects her particular interest in the relationship between typography, architecture and sculpture.\u003cbr\u003e\u003cbr\u003eThese limited edition prints were produced by the artist in DCA Print Studio and \u003cem\u003eUntitled (black)\u003c\/em\u003e was shown in the gallery. These bodies of work are reminiscent of the purist forms of Minimalist or Constructivist works, whilst allowing references to industrial fabrication and contemporary art histories. These beautiful prints capture translucent planes of shifting colour suspended within the page.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePart of a suite of two prints:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUntitled (black)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/untitled-yellow\" target=\"_blank\"\u003eUntitled (yellow)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eCan be purchased as a pair for £600 (inc. VAT). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2008\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eThree colour screenprint on Fabriano 5 Liscia (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e100 x 70cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Camilla Løw\u003c\/h3\u003e\n\u003cp\u003eBorn in Oslo in 1976, Camilla Løw studied at Glasgow School of Art and, having lived in San Francisco, is now based in Norway, where she received the prestigious Statoil Prize in 2007. Recent solo exhibitions include Sutton Lane, London; and Elastic Gallery, Malmo, Sweden.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Camilla Løw","offers":[{"title":"Untitled (black)","offer_id":28770233865,"sku":"","price":360.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 2 prints","offer_id":29360954313,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Black_Camilla_Low.jpg?v=1505478229"},{"product_id":"cyclo-sonotecture","title":"cyclo. sonotecture","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eCyclo.\u003c\/em\u003e is an artistic collaboration between Carsten Nicolai (Germany) and Ryoji Ikeda (Japan) two of the world's leading exponents of experimental sound art.\u003cbr\u003e\u003cbr\u003eNicolai is best known for works that explore the areas between art and science. By engineering situations in which sound or light frequencies can become both visible and audible at the same time, he highlights the intersections of the human senses. Ikeda is known as a leading avant-garde writer of minimalist electronic compositions exploring the raw physical characteristics of sound.\u003cbr\u003e\u003cbr\u003eDuring their time at DCA for \u003cem\u003eKill Your Timid Notion\u003c\/em\u003e in 2003, Nikolai and Ikeda created \u003cem\u003ecyclo.sonotecture\u003c\/em\u003e; a screenprint originating from images collected during their installation and live performance using real-time sound visualisation. The resulting print captures, in a highly subtle way, this event. Using close tonal variations of matt and pearlised inks, they created an elusive and shifting image that explores the boundaries of our sensory perceptions.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2003\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e150\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on BFK Rives Blanc (270gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e105.5 x 75cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artists \u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ryoji Ikeda and Carsten Nicolai\u003c\/h3\u003e\n\u003cp\u003eCarsten Nicolai lives and works in Berlin and has exhibited his work worldwide including Documenta and the 49th and 50th Venice Biennials, Anti Reflex (Kunsthalle, Hamburg) and Syn Chron (Neue Nationalgalerie, Berlin). He is also a founder member of the German electronic music label Raster-Noton.\u003cbr\u003e\u003cbr\u003eRyoji Ikeda lives and works in New York. Since the 1990s he has produced numerous albums and compilations. In 1995 he founded his own production company Cci Recordings. He received the Golden Nica Award for digital music in 2001. His work as a sound artist has been presented at the Hayward Gallery,London; ICC, Tokyo; the Millennium Dome, London and the Museum of Contemporary Art, Taipei.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ryoji Ikeda and Carsten Nicolai","offers":[{"title":"Default Title","offer_id":28770698057,"sku":"","price":114.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/cyclo.jpg?v=1505397793"},{"product_id":"untitled-black-1","title":"Untitled (Black)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eJakob Kolding's interest is in the relationship between the design and use of public space. His work combines basic collage techniques with an expert manipulation of text that raises questions of how urban spaces are structured and inhabited today.\u003c\/p\u003e\n\u003cp\u003eKolding’s work was featured in the exhibition \u003cem\u003ePlunder \u003c\/em\u003eat DCA in 2003 and he worked with the Print Studio during this time to create these urban, poster-style screenprints. The layered nature of the found images used in these prints is reminiscent of the collage used in his other works and recalls the ubiquitous billboards and posters found in our city streets. The text and images within Kolding's prints include familiar references to our everyday urban environments and prompt us to question our perceptions of the underlying social codes and city structures that influence our day to day behaviour.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2003\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eOne colour screenprint on Velin Arches Cream (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e105 x 75cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Jakob Kolding\u003c\/h3\u003e\n\u003cp\u003eJakob Kolding was born in 1971 in Albertslund, Denmark, and lives and works in Berlin. As well as being selected for exhibition at the 50th Venice Biennale he has exhibited at South London Gallery, London; Team Gallery, New York; and Galleri Nicolai Wallner, Copenhagen.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Jakob Kolding","offers":[{"title":"Default Title","offer_id":28770969161,"sku":"","price":114.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Black.jpg?v=1505478273"},{"product_id":"untitled-red","title":"Untitled (Red)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eJakob Kolding's interest is in the relationship between the design and use of public space. His work combines basic collage techniques with an expert manipulation of text that raises questions of how urban spaces are structured and inhabited today.\u003c\/p\u003e\n\u003cp\u003eKolding’s work was featured in the exhibition \u003cem\u003ePlunder \u003c\/em\u003eat DCA in 2003 and he worked with the Print Studio during this time to create these urban, poster-style screenprints. The layered nature of the found images used in these prints is reminiscent of the collage used in his other works and recalls the ubiquitous billboards and posters found in our city streets. The text and images within Kolding's prints include familiar references to our everyday urban environments and prompt us to question our perceptions of the underlying social codes and city structures that influence our day to day behaviour. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2003\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eOne colour screenprint on Velin Arches Cream (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e105 x 75cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Jakob Kolding\u003c\/h3\u003e\n\u003cp\u003eJakob Kolding was born in 1971 in Albertslund, Denmark, and lives and works in Berlin. As well as being selected for exhibition at the 50th Venice Biennale he has exhibited at South London Gallery, London; Team Gallery, New York; and Galleri Nicolai Wallner, Copenhagen.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Jakob Kolding","offers":[{"title":"Default Title","offer_id":28771069961,"sku":"","price":114.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Red.jpg?v=1505478342"},{"product_id":"untitled-yellow","title":"Untitled (yellow)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eThe DCA 2008 exhibition \u003cem\u003eStraight Letters\u003c\/em\u003e presented new work by Camilla Løw created specifically for the DCA galleries together with recent sculpture, later travelling to the Pier Arts Centre, Orkney. The artist’s first solo exhibition in the UK, the title \u003cem\u003eStraight Letters\u003c\/em\u003e reflects her particular interest in the relationship between typography, architecture and sculpture.\u003cbr\u003e\u003cbr\u003eThese limited edition prints were produced by the artist in the Print Studio and \u003cem\u003eUntitled (black)\u003c\/em\u003e was shown in the gallery. These bodies of work are reminiscent of the purist forms of Minimalist or Constructivist works, whilst allowing references to industrial fabrication and contemporary art histories. These beautiful prints capture translucent planes of shifting colour suspended within the page.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePart of a suite of two prints:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/untitled-black\" target=\"_blank\"\u003eUntitled (black)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eUntitled (yellow)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eCan be purchased as a pair for £600 (inc. VAT). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2008\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eThree colour screenprint on Fabriano 5 Liscia (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e100 x 70cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Camilla Løw\u003c\/h3\u003e\n\u003cp\u003eBorn in Oslo in 1976, Camilla Løw studied at Glasgow School of Art and, having lived in San Francisco, is now based in Norway, where she received the prestigious Statoil Prize in 2007. Recent solo exhibitions include Sutton Lane, London; and Elastic Gallery, Malmo, Sweden.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Camilla Løw","offers":[{"title":"Untitled (yellow)","offer_id":28771168009,"sku":"","price":360.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 2 prints","offer_id":29360964361,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Yellow_Camilla_Low.jpg?v=1505478398"},{"product_id":"thinking-about-open-source","title":"Thinking about Open Source","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eWith observational drawings being the starting point of this series of works, Nashashibi portrays a range of characters that appear to be lifted from their everyday surroundings. Backgrounds pale away, giving ground to intensity of thought. Deceptively simplistic representations of moments in domestic life appear as a snapshot, reduced to a single frame. Expressive lines alongside blocks of pure colour float within each scene.\u003cbr\u003e\u003cbr\u003eThe titles of the works, along with the abstract forms of colour suggest associations between socially relevant terms ('open source' or 'adult education') and specific colours and shapes. Possible visualisations of thought patterns emerge as the artist searches for representational forms for abstract ideas.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Fabriano 5 Liscia (200gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e47.5 x 64cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eNumbered and initialled by artist on front, titled on back\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Rosalind Nashashibi\u003c\/h3\u003e\n\u003cp\u003eRosalind Nashashibi’s main practice is as a maker of films that centre on the unobserved corners of everyday urban life. Focusing on what she calls the ‘presence of energy’ that exists in individuals, she creates a sense of complex moments in which the passing of time is seemingly slowed down for us.\u003c\/p\u003e\n\u003cp\u003eRosalind Nashashibi was born in 1973 in Croydon and lives and works in Glasgow. In 2003 she became the first female artist to win the Beck's Futures Award. She was awarded the Scottish Arts Council New York Residency in 2004. Her work was shown at Scotland and Venice in 2007 and is also held in the Tate collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Rosalind Nashashibi","offers":[{"title":"Default Title","offer_id":28865359049,"sku":"","price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Open_Source.jpg?v=1505477736"},{"product_id":"untitled","title":"Untitled","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eThe exquisite miniature paintings of Christopher Orr depict nature as awe-inspiring, often submerged in supernatural mists. They evoke the overwhelming power of nature reminiscent of the romantic landscapes by Caspar David Friedrich and J.M.W. Turner, who through their paintings sought to reinvent nature rather than imitate it.\u003cbr\u003e\u003cbr\u003eOrr culls his assortment of subjects from old copies of the National Geographic, Ladybird books and wildlife publications. Working with the Print Studio team to experiment with several etching techniques, he selected this aquatint and monoprint method to best create the atmosphere desired. The resulting characters within his small, ethereal landscapes seem lost or out of place in nature, as if they had been accidentally dropped into some foreign land.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2006\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eAquatint and monoprint on Hahnemühle Leonardo Aquarelle (600gsm) rough paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e32.5 x 26.5cm (image size 15 x 10cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Christopher Orr\u003c\/h3\u003e\n\u003cp\u003eBorn in 1967 in Helensburgh, Scotland, Christopher Orr lives and works in London. He studied at Duncan of Jordanstone College of Art and Design, Dundee and Royal College of Art, London. Recent solo exhibitions include IBID Projects, London; Nyehaus, New York; and Hauser \u0026amp; Wirth, Zurich.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Christopher Orr","offers":[{"title":"Default Title","offer_id":28865861193,"sku":"","price":354.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Christopher_Orr.jpg?v=1505477980"},{"product_id":"quicksilver-spiral-edition-30","title":"Quicksilver Spiral (Small)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eChristian Stock participated in DCA’s exhibition \u003cem\u003eTimecode\u003c\/em\u003e, which marked the 10th anniversary of DCA and brought together artists with an interest in concepts and representations of time. Stock exhibited his celebrated cube paintings, produced slowly, painstakingly and incrementally over years, alongside a contrasting wall drawing, produced on site in the gallery using a spontaneous and gestural paint process.\u003c\/p\u003e\n\u003cp\u003eThese three editions relate to the artist’s wall drawing of the same name, \u003cem\u003eQuicksilver\u003c\/em\u003e – a title suggestive of the uncanny motion of liquid metal or of changeable properties. They were made by the artist in the Print Studio while he was at DCA to complete his wall installation. The fluidity and movement generated by Stock’s expressive mark-making form a direct contrast with the rigid permanence of the metal etching plates chosen to capture and transfer his marks onto paper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eQuicksilver Spiral (Small)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/copy-of-quicksilver-spiral-edition-20\" target=\"_blank\"\u003eQuicksilver Spiral (Medium)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/quicksilver-spiral-edition-10\" target=\"_blank\"\u003eQuicksilver Spiral (Large)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable height=\"33\" width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003ePhotopolymer intaglio print on Fabriano Artistico (640gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e22.5 x 19.5cm (image size 12.5 x 9.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Christian Stock\u003c\/h3\u003e\n\u003cp\u003eChristian Stock was born in Austria in 1961 and lives and works in Vienna. Recent solo exhibitions include Neues Problem, Berlin; the Fridge Gallery, Glasgow; and Galerie Christoph Dürr, Munich.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Christian Stock","offers":[{"title":"Default Title","offer_id":28866385929,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Quicksilver_Spiral_Small.jpg?v=1505404492"},{"product_id":"copy-of-quicksilver-spiral-edition-20","title":"Quicksilver Spiral (Medium)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eChristian Stock participated in DCA’s exhibition \u003cem\u003eTimecode\u003c\/em\u003e, which marked the 10th anniversary of DCA and brought together artists with an interest in concepts and representations of time. Stock exhibited his celebrated cube paintings, produced slowly, painstakingly and incrementally over years, alongside a contrasting wall drawing, produced on site in the gallery using a spontaneous and gestural paint process.\u003c\/p\u003e\n\u003cp\u003eThese three editions relate to the artist’s wall drawing of the same name, \u003cem\u003eQuicksilver\u003c\/em\u003e – a title suggestive of the uncanny motion of liquid metal or of changeable properties. They were made by the artist in the Print Studio while he was at DCA to complete his wall installation. The fluidity and movement generated by Stock’s expressive mark-making form a direct contrast with the rigid permanence of the metal etching plates chosen to capture and transfer his marks onto paper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/quicksilver-spiral-edition-30\" target=\"_blank\"\u003eQuicksilver Spiral (Small)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eQuicksilver Spiral (Medium)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/quicksilver-spiral-edition-10\" target=\"_blank\"\u003eQuicksilver Spiral (Large)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003ePhotopolymer intaglio print on Fabriano Artistico (640gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e60 x 47cm (image size 48 x 36.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Christian Stock\u003c\/h3\u003e\n\u003cp\u003eChristian Stock was born in Austria in 1961 and lives and works in Vienna. Recent solo exhibitions include Neues Problem, Berlin; the Fridge Gallery, Glasgow; and Galerie Christoph Dürr, Munich.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Christian Stock","offers":[{"title":"Default Title","offer_id":28867172617,"sku":"","price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Quicksilver_Spiral_Medium.jpg?v=1505404472"},{"product_id":"quicksilver-spiral-edition-10","title":"Quicksilver Spiral (Large)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eChristian Stock participated in DCA’s exhibition \u003cem\u003eTimecode\u003c\/em\u003e, which marked the 10th anniversary of DCA and brought together artists with an interest in concepts and representations of time. Stock exhibited his celebrated cube paintings, produced slowly, painstakingly and incrementally over years, alongside a contrasting wall drawing, produced on site in the gallery using a spontaneous and gestural paint process.\u003c\/p\u003e\n\u003cp\u003eThese three editions relate to the artist’s wall drawing of the same name, \u003cem\u003eQuicksilver\u003c\/em\u003e – a title suggestive of the uncanny motion of liquid metal or of changeable properties. They were made by the artist in the Print Studio while he was at DCA to complete his wall installation. The fluidity and movement generated by Stock’s expressive mark-making form a direct contrast with the rigid permanence of the metal etching plates chosen to capture and transfer his marks onto paper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/quicksilver-spiral-edition-30\" target=\"_blank\"\u003eQuicksilver Spiral (Small)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/copy-of-quicksilver-spiral-edition-20\" target=\"_blank\"\u003eQuicksilver Spiral (Medium)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eQuicksilver Spiral (Large)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eEtching on Fabriano Artistico (640gsm) paper\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e68 x 54.5cm (image size 63 x 50.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Christian Stock\u003c\/h3\u003e\n\u003cp\u003eChristian Stock was born in Austria in 1961 and lives and works in Vienna. Recent solo exhibitions include Neues Problem, Berlin; the Fridge Gallery, Glasgow; and Galerie Christoph Dürr, Munich.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Christian Stock","offers":[{"title":"Default Title","offer_id":28867305929,"sku":"","price":360.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Quicksilver_Spiral.jpg?v=1505404452"},{"product_id":"scott-myles-full-stop-the-life-and-opinions-of-tristram-shandy-gentleman","title":"Full Stop (The Life and Opinions of Tristram Shandy, Gentleman)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eScott Myles’ work explores and manipulates the social nuances of language and established aesthetic codes. He has a longstanding interest in typography and signage and the range of contextual meanings and associations with which they are imbued.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFull Stop (The Life and Opinions of Tristram Shandy, Gentleman)\u003c\/em\u003e makes reference to the 18th century novel of the same title by Lawrence Sterne. An experimental novel known for its typographic play, its pages include displaced punctuation marks, breaks and blank sections which exist alongside the farcical biography of the main narrative. Sterne’s publication is often referred to as the first ‘anti novel’ or pre-cursor to non-linear narrative. Originating from a photograph taken through a microscope, Myles’ etching depicts the final full stop that closes the last sentence of this book.\u003c\/p\u003e\n\u003cp\u003eThe open blackness of the full stop implies both presence and absence, revealing a multitude of flaws and variations within its exploded form. At first seemingly abstract, this highly selfreferential work analyses in painstaking detail the intrinsic qualities of printed text, which, despite its enlarged state, fails to reveal a definitive meaning.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2008\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003ePhoto etching on Hahnemühle etching (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e78 x 78.5cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Scott Myles\u003c\/h3\u003e\n\u003cp\u003eScott Myles was born in Dundee in 1975 and graduated from Duncan of Jordanstone College of Art and Design in 1997. He currently lives and works in Glasgow. Recent solo exhibitions include The Modern Institute, Glasgow, Galleria Sonia Rosso, Turin, Meyer Riegger, Berlin and Kunsthalle Zurich, Zurich.\u003c\/p\u003e\n\u003cp\u003eHe participated in the 2006 Tate Triennial, his work was included in The Associates for DCA’s 10 year anniversary in 2009 and he held a solo show at DCA in 2012. His work is held in the Tate Collection, Scottish National Gallery of Modern Art, Edinburgh and MoMA, New York.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Scott Myles","offers":[{"title":"Default Title","offer_id":28867756169,"sku":"","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Full_Stop.jpg?v=1505399677"},{"product_id":"martin-boyce-no-brilliantly-coloured-birds","title":"No Brilliantly Coloured Birds (Large)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eMartin Boyce developed a large scale unique print as part of his \u003cem\u003eNo Reflections\u003c\/em\u003e installation for Scotland and Venice 2009. These two related editioned prints were commissioned by DCA in conjunction with this project.\u003cbr\u003e\u003cbr\u003eContinuing Boyce's interest in the ‘collapse of nature and architecture’ and interior and exterior forms, these prints make reference to the empty wooden interior of the artist's bird box sculpture in the vacated Italian Palazzo; the holes in which simultaneously suggest the form of a head or mask. During the development of this project Boyce drew from a short text he had written with an abandoned zoo in mind: ‘warm dry stone and palm leaves, no elephants, no giraffes, no penguins, no brilliantly coloured birds…’.\u003cbr\u003e\u003cbr\u003eThis language of an abandoned garden is continued with the text 'No Brilliantly Coloured Birds' that tumbles out across the image. The form of the text stems from a central structural motif that forms a core of much of Boyce’s work. This motif is derived from an early black and white photograph of four geometric concrete trees sculpted by Joel and Jan Martel in 1925. Boyce explains:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhile working on the Martel tree models I began to develop a linear repeat pattern with the central structure of the trees as the main motif. Over time I then began to notice the possibility of letters hidden within the lines of the repeat. As first I found an R, an S and an M then slowly and with much trial and error I found a good representation of every letter of the alphabet. Some letters were found upside down, some on their side…I allowed the letters to appear as they were found within the pattern…the relationship with falling fragments, autumnal leaves and the air blowing through architecture and nature seemed to fit perfectly with these tumbling letters\u003c\/em\u003e. \u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMartin Boyce\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 23.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 23.5px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 23.5px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003eSix colour screenprint on Heritage White (315gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003e102 x 74cm (image size: 95 x 68cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Martin Boyce\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eMartin Boyce is one of Scotland's most prominent artists and is well known for his sculptural installations that draw from the familiarity of our immediate urban or natural environments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Hamilton, Scotland in 1967, Martin Boyce lives and works in Glasgow. Recent exhibitions and public projects include Kaldor Art Projects, Melbourne; Ikon Gallery, Birmingham; Münster Sculpture Project, Münster; and Sculpture Center, New York. His works are held in many museum collections including the Tate collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Martin Boyce","offers":[{"title":"Default Title","offer_id":28868129801,"sku":"","price":540.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/No_Brilliantly.jpg?v=1505403528"},{"product_id":"houndstooth-black","title":"Houndstooth (Black)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eClaire Barclay exhibited at DCA in August 2003 and returned in 2005 to make this series of diptychs in the Print Studio. Beginning with found images of hunting hounds and a book of patterns of traditional Scottish ‘houndstooth’ weaves, she allowed this imagery to undergo several metamorphoses as she explored the intrinsic qualities of the print process.\u003cbr\u003e\u003cbr\u003eAs with her sculptural work, these prints show a process-based approach that engages with a specific technique and material. The mechanical repetition of the houndstooth pattern is contrasted by her use of hand-cut stencils which allow inherent irregularities to remain visible. As the pattern unfurls itself across the paper it reveals frayed textile-like edges giving way to the structure of sharp-edged thorns; a distillation of the artist’s deliberately ambiguous exploration of the tensions between naturally found and machine-made forms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/houndstooth-red\" target=\"_blank\"\u003eHoundstooth (Red)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eHoundstooth (Black)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2005\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300 gsm) paper (diptych)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eEach part 50 x 70.5cm (overall approximately 50 x 150cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist on verso\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Claire Barclay\u003c\/h3\u003e\n\u003cp\u003eClaire Barclay was born in Paisley in 1968 and lives and works in Houston, Scotland. She studied at Glasgow School of Art and has had solo exhibitions at, CCA, Glasgow, The Showroom, London, and Moderna Museet, Stockholm.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBarclay’s work strikes a disjunctive balance between detail and overall composition, deflecting and re-focusing our attention to such an extent that though we may only consider meaning at a distance, we can feel the rightness of the thing right now.\u003c\/em\u003e\"  \u003cstrong\u003ePenelope Curtis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Claire Barclay","offers":[{"title":"Default Title","offer_id":28869377353,"sku":"","price":594.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Hounstooth_Black.jpg?v=1505400887"},{"product_id":"houndstooth-red","title":"Houndstooth (Red)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eClaire Barclay exhibited at DCA in August 2003 and returned in 2005 to make this series of diptychs in the Print Studio. Beginning with found images of hunting hounds and a book of patterns of traditional Scottish ‘houndstooth’ weaves, she allowed this imagery to undergo several metamorphoses as she explored the intrinsic qualities of the print process.\u003cbr\u003e\u003cbr\u003eAs with her sculptural work, these prints show a process-based approach that engages with a specific technique and material. The mechanical repetition of the houndstooth pattern is contrasted by her use of hand-cut stencils which allow inherent irregularities to remain visible. As the pattern unfurls itself across the paper it reveals frayed textile-like edges giving way to the structure of sharp-edged thorns; a distillation of the artist’s deliberately ambiguous exploration of the tensions between naturally found and machine-made forms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHoundstooth (Red)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/houndstooth-black\" target=\"_blank\"\u003eHoundstooth (Black)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2005\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300 gsm) paper (diptych)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eEach part 50 x 70.5 cm (overall approximately 50 x 150 cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist on verso\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Claire Barclay\u003c\/h3\u003e\n\u003cp\u003eClaire Barclay was born in Paisley in 1968 and lives and works in Houston, Scotland. She studied at Glasgow School of Art and has had solo exhibitions at, CCA, Glasgow, The Showroom, London, and Moderna Museet, Stockholm.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBarclay’s work strikes a disjunctive balance between detail and overall composition, deflecting and re-focusing our attention to such an extent that though we may only consider meaning at a distance, we can feel the rightness of the thing right now.\u003c\/em\u003e\" \u003cstrong\u003ePenelope Curtis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Claire Barclay","offers":[{"title":"Default Title","offer_id":28869832649,"sku":"","price":594.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled-1.jpg?v=1505400961"},{"product_id":"face","title":"FACE","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eKaty Dove participated in \u003cem\u003eThe Associates\u003c\/em\u003e exhibition at DCA in 2009 and following this worked with DCA Print Studio to produce this suite of four new prints. These works form a series that the artist refers to as ‘Audio Visual Musical Forms’ – a title inspired by Norman McLaren’s 1967 publication, which issues a visual index for a range of established musical forms, blurring the boundaries between formal musical notations, diagrams, lettering and abstract form.\u003c\/p\u003e\n\u003cp\u003eIn these works Dove reinterprets McLaren’s approach, using a more open exploration of the relationships between sound, movement, text, colours and form. The result is a series of delicate visual manuscripts that are offered to us as layered sound palettes from which gestures of colour, textual annotations, texture and floating sound-forms emerge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a suite of four prints:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/dab\" target=\"_blank\"\u003eDAB\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eFACE\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/score\" target=\"_blank\"\u003eScore\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/cage\" target=\"_blank\"\u003eCAGE\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of all four prints £960 inc. VAT (unframed). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eIntaglio etching over Hosho chine-collé on Fabriano Artistico (640 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e55.5 x 38.5cm (image size: 28 x 20cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Katy Dove\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003eIn tasting shapes, hearing colours or smelling sounds, perceptual logic is riven with ambiguity. Yet, as the gliding ballet and sonic geometry of Katy Dove’s animations show, these confusions can sometimes render oblique relations curiously transparent.\u003c\/em\u003e” \u003cstrong\u003eDan Fox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaty Dove was born in Oxford in 1970 and studied at Duncan of Jordanstone College of Art. She has exhibited internationally including Venice Biennale (2003) and Prague Biennale (2003) and has been selected to be part of the 'Artist Statements' with Hales Gallery, London in Art Basel 2005. She has exhibited at Tate Britain as part of their Lightbox, Art Now series (2003) and has had solo exhibitions at Transmission, Glasgow (2002) and Collective Gallery, Edinburgh (2000).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Katy Dove","offers":[{"title":"FACE","offer_id":28874197129,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 4 prints","offer_id":29336660297,"sku":"","price":960.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/FACE.jpg?v=1505399258"},{"product_id":"score","title":"Score","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eKaty Dove participated in \u003cem\u003eThe Associates\u003c\/em\u003e exhibition at DCA in 2009 and following this worked with DCA Print Studio to produce this suite of four new prints. These works form a series that the artist refers to as ‘Audio Visual Musical Forms’ – a title inspired by Norman McLaren’s 1967 publication, which issues a visual index for a range of established musical forms, blurring the boundaries between formal musical notations, diagrams, lettering and abstract form.\u003c\/p\u003e\n\u003cp\u003eIn these works Dove reinterprets McLaren’s approach, using a more open exploration of the relationships between sound, movement, text, colours and form. The result is a series of delicate visual manuscripts that are offered to us as layered sound palettes from which gestures of colour, textual annotations, texture and floating sound-forms emerge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a suite of four prints:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/dab\" target=\"_blank\"\u003eDAB\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/face\" target=\"_blank\"\u003eFACE\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eScore\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/cage\" target=\"_blank\"\u003eCAGE\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of all four prints £960 inc. VAT (unframed). Select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eIntaglio etching over Hosho chine-collé on Fabriano Artistico (640 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e55.5 x 38.5cm (image size: 28 x 20cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Katy Dove\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003eIn tasting shapes, hearing colours or smelling sounds, perceptual logic is riven with ambiguity. Yet, as the gliding ballet and sonic geometry of Katy Dove’s animations show, these confusions can sometimes render oblique relations curiously transparent.\u003c\/em\u003e” \u003cstrong\u003eDan Fox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaty Dove was born in Oxford in 1970 and studied at Duncan of Jordanstone College of Art. She has exhibited internationally including Venice Biennale (2003) and Prague Biennale (2003) and has been selected to be part of the 'Artist Statements' with Hales Gallery, London in Art Basel 2005. She has exhibited at Tate Britain as part of their Lightbox, Art Now series (2003) and has had solo exhibitions at Transmission, Glasgow (2002) and Collective Gallery, Edinburgh (2000).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Katy Dove","offers":[{"title":"SCORE","offer_id":28874387913,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 4 prints","offer_id":29336701321,"sku":"","price":960.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Score.jpg?v=1505404970"},{"product_id":"cage","title":"CAGE","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eKaty Dove participated in \u003cem\u003eThe Associates\u003c\/em\u003e exhibition at DCA in 2009 and following this worked with DCA Print Studio to produce this suite of four new prints. These works form a series that the artist refers to as ‘Audio Visual Musical Forms’ – a title inspired by Norman McLaren’s 1967 publication, which issues a visual index for a range of established musical forms, blurring the boundaries between formal musical notations, diagrams, lettering and abstract form.\u003c\/p\u003e\n\u003cp\u003eIn these works Dove reinterprets McLaren’s approach, using a more open exploration of the relationships between sound, movement, text, colours and form. The result is a series of delicate visual manuscripts that are offered to us as layered sound palettes from which gestures of colour, textual annotations, texture and floating sound-forms emerge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a suite of four prints:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/dab\" target=\"_blank\"\u003eDAB\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/face\" target=\"_blank\"\u003eFACE\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/score\" target=\"_blank\"\u003eScore\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eCAGE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of all four prints £960 inc. VAT (unframed). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eIntaglio etching over Hosho chine-collé on Fabriano Artistico (640 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e55.5 x 38.5cm (image size: 28 x 20cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Katy Dove\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003eIn tasting shapes, hearing colours or smelling sounds, perceptual logic is riven with ambiguity. Yet, as the gliding ballet and sonic geometry of Katy Dove’s animations show, these confusions can sometimes render oblique relations curiously transparent.\u003c\/em\u003e” \u003cstrong\u003eDan Fox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaty Dove was born in Oxford in 1970 and studied at Duncan of Jordanstone College of Art. She has exhibited internationally including Venice Biennale (2003) and Prague Biennale (2003) and has been selected to be part of the 'Artist Statements' with Hales Gallery, London in Art Basel 2005. She has exhibited at Tate Britain as part of their Lightbox, Art Now series (2003) and has had solo exhibitions at Transmission, Glasgow (2002) and Collective Gallery, Edinburgh (2000).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Katy Dove","offers":[{"title":"CAGE","offer_id":28874470089,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 4 prints","offer_id":29336594633,"sku":"","price":960.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/CAGE.jpg?v=1505397228"},{"product_id":"dab","title":"DAB","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eKaty Dove participated in \u003cem\u003eThe Associates\u003c\/em\u003e exhibition at DCA in 2009 and following this worked with DCA Print Studio to produce this suite of four new prints. These works form a series that the artist refers to as ‘Audio Visual Musical Forms’ – a title inspired by Norman McLaren’s 1967 publication, which issues a visual index for a range of established musical forms, blurring the boundaries between formal musical notations, diagrams, lettering and abstract form.\u003c\/p\u003e\n\u003cp\u003eIn these works Dove reinterprets McLaren’s approach, using a more open exploration of the relationships between sound, movement, text, colours and form. The result is a series of delicate visual manuscripts that are offered to us as layered sound palettes from which gestures of colour, textual annotations, texture and floating sound-forms emerge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a suite of four prints:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDAB\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/face\" target=\"_blank\"\u003eFACE\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/score\" target=\"_blank\"\u003eScore\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/shop.dca.org.uk\/products\/cage\" target=\"_blank\"\u003eCAGE\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSuite of all four prints £960 inc. VAT (unframed). Please select before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eIntaglio etching over Hosho chine-collé on Fabriano Artistico (640 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e55.5 x 38.5cm (image size: 28 x 20cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Katy Dove\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003eIn tasting shapes, hearing colours or smelling sounds, perceptual logic is riven with ambiguity. Yet, as the gliding ballet and sonic geometry of Katy Dove’s animations show, these confusions can sometimes render oblique relations curiously transparent.\u003c\/em\u003e” \u003cstrong\u003eDan Fox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaty Dove was born in Oxford in 1970 and studied at Duncan of Jordanstone College of Art. She has exhibited internationally including Venice Biennale (2003) and Prague Biennale (2003) and has been selected to be part of the 'Artist Statements' with Hales Gallery, London in Art Basel 2005. She has exhibited at Tate Britain as part of their Lightbox, Art Now series (2003) and has had solo exhibitions at Transmission, Glasgow (2002) and Collective Gallery, Edinburgh (2000).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Katy Dove","offers":[{"title":"DAB","offer_id":28874548105,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Suite of 4 prints","offer_id":29336552841,"sku":"","price":960.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/DAB.jpg?v=1505397843"},{"product_id":"wi-fi-zone","title":"Wi Fi ZONE","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eAlex Frost produced a new limited edition to coincide with his solo exhibition \u003cem\u003eThe Connoisseurs\u003c\/em\u003e at DCA.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWi Fi ZONE\u003c\/em\u003e began with a pencil rubbing made using the surface of one of the artists’ ceramic mosaics. This hand made image was then transferred into separations from which the screenprint was hand printed and finished with a highly digitized but hand printed text.\u003c\/p\u003e\n\u003cp\u003eFrost’s work presents an awkward marriage of numerous distinct references: digital technology, food science, community craft workshops, speculative fiction and macro-economics. Works in \u003cem\u003eThe Connoisseurs\u003c\/em\u003e exhibition examined seemingly disparate groupings. Referencing cultural sophistication or a refined taste through materials, execution or selection, each work borrowed an aspect of the classical art form: portrait or still-life image, the outdoor or the domestic scale object. \u003cem\u003eWi Fi ZONE\u003c\/em\u003e represents the artist’s investigations into areas in which technology and commerce sit alongside more traditional, handmade, means of production typically associated with the area of craft.\u003c\/p\u003e\n\u003cp\u003ePlease select colourway before adding to basket.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eTwo colour screenprint on GFSmith ‘Plike’ White paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e79.5 x 56.4cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Alex Frost\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eThe Connoisseur might be defined as a laconic art historian, and the art historian as a loquacious connoisseur\u003c\/em\u003e. \u003cstrong\u003eErwin Panofsky, Meaning in the Visual Arts, 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in London in 1973, Alex Frost studied fine art at Staffordshire University (BA 1995) and Glasgow School of Art (MFA 1998). His recent projects include: \u003cem\u003eVenice Biennale 09\u003c\/em\u003e (Artsway’s New Forest Pavilion); \u003cem\u003eAdults\u003c\/em\u003e (Sandra Burgel, Berlin); Milton Keynes Gallery; \u003cem\u003eBBQ\u003c\/em\u003e (Artsway, Hampshire); \u003cem\u003eCompassion Fatigue\u003c\/em\u003e (Sorcha Dallas, Glasgow), and \u003cem\u003eFormat Wars\u003c\/em\u003e (Tramway, Glasgow). In 2010 he held his solo show \u003cem\u003eThe Connoisseurs\u003c\/em\u003e at DCA, and participated in a three month residency at A.I.R. Antwerp, Belgium.\u003cbr\u003e\u003cbr\u003eEmerging from Scotland’s artist led scene in the late 1990s with projects with The Collective Gallery, Edinburgh, Glasgow’s Transmission, Radio Tuesday, British Mythic and Switchspace and Generator Projects, Dundee, Frost is now a prominent, respected artist exhibiting internationally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003eSpread the cost of buying artwork with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.ownart.org.uk\/\" target=\"_blank\"\u003eOwn Art\u003c\/a\u003e and purchase\u003cem\u003e\u003cspan\u003e Wi Fi ZONE \u003c\/span\u003e\u003c\/em\u003eby Alex Frost in 10 monthly payments of £12\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(representative 0% APR). Email\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"mailto:onlineshop@dca.org.uk\" data-mce-fragment=\"1\" data-mce-href=\"mailto:onlineshop@dca.org.uk\"\u003eonlineshop@dca.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Alex Frost","offers":[{"title":"Grey","offer_id":28874678217,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true},{"title":"Red","offer_id":29459922633,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Wi_Fi_Zone_Grey.jpg?v=1505478959"},{"product_id":"banners","title":"Banners","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eA series of limited edition prints were created by Chicks on Speed during their residency at DCA for their exhibition \u003cem\u003eChicks on Speed: \u003cs\u003eDon’t\u003c\/s\u003e Art Fashion Music\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEverything is forbidden. Don’t Touch! No spitting, No Smoking! No thinking! No living! Our projects – our environments are meant to free men – only the realisation of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… share the power! \u003c\/em\u003e\u003cstrong\u003eEds. Wolf Vostell and Dick Higgins \"Fantastic Architecture\", Something Else Press, New York, 1969\u003c\/strong\u003e \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"ui-provider a b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\"\u003eCMYK Screenprint on Fabriano Rosaspina Bianco (285gsm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e72 x 48cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artists\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Chicks on Speed\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eChicks on Speed are known globally for their hybrid and chaotic aesthetic that encompasses music (including electronica), performance art, record publishing, collage, graphic design, painting, ‘objekt instruments’, film and DIY fashion; an ever-changing multidisciplinary art group who apply a punk-inspired DIY ethic to blur the lines between art, craft, fashion and music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Chicks on Speed","offers":[{"title":"Default Title","offer_id":28875017929,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Banners.jpg?v=1505396298"},{"product_id":"the-beat-is-happening","title":"The Beat is Happening","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eA series of limited edition prints were created by Chicks on Speed during their residency at DCA for their exhibition \u003cem\u003eChicks on Speed: \u003cs\u003eDon’t\u003c\/s\u003e Art Fashion Music\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEverything is forbidden. Don’t Touch! No spitting, No Smoking! No thinking! No living! Our projects – our environments are meant to free men – only the realisation of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… share the power! \u003c\/em\u003e\u003cstrong\u003eEds. Wolf Vostell and Dick Higgins \"Fantastic Architecture\", Something Else Press, New York, 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (410gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e152 x 101.5cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artists \u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Chicks on Speed\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChicks on Speed are known globally for their hybrid and chaotic aesthetic that encompasses music (including electronica), performance art, record publishing, collage, graphic design, painting, ‘objekt instruments’, film and DIY fashion; an ever-changing multidisciplinary art group who apply a punk-inspired DIY ethic to blur the lines between art, craft, fashion and music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Chicks on Speed","offers":[{"title":"Default Title","offer_id":28875160009,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/The_Beat.jpg?v=1505477174"},{"product_id":"running-legs","title":"Running Legs","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eA series of limited edition prints were created by Chicks on Speed during their residency at DCA for their exhibition \u003cem\u003eChicks on Speed: \u003cs\u003eDon’t\u003c\/s\u003e Art Fashion Music\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEverything is forbidden. Don’t Touch! No spitting, No Smoking! No thinking! No living! Our projects – our environments are meant to free men – only the realisation of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… share the power! \u003c\/em\u003e\u003cstrong\u003eEds. Wolf Vostell and Dick Higgins \"Fantastic Architecture\", Something Else Press, New York, 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (410gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e112 x 101.5cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artists\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Chicks on Speed\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChicks on Speed are known globally for their hybrid and chaotic aesthetic that encompasses music (including electronica), performance art, record publishing, collage, graphic design, painting, ‘objekt instruments’, film and DIY fashion; an ever-changing multidisciplinary art group who apply a punk-inspired DIY ethic to blur the lines between art, craft, fashion and music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Chicks on Speed","offers":[{"title":"Default Title","offer_id":28875199113,"sku":"","price":360.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Running_Legs.jpg?v=1505404929"},{"product_id":"my-oology","title":"My Oology","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eA private re-presentation and reconsideration of the artist’s childhood egg collection. This work is a personal account through which to reexamine the related social hierarchies, values and exchanges that this activity carries in the artist’s memory of a particular culture of collecting.\u003cbr\u003e\u003cbr\u003eVividly presented and carefully ordered and labeled, this print is reminiscent of a museological display or educational didactic. The artist’s choice of colour palette and orderly arrangement recalls the inside of a sawdust lined box or a collector’s cabinet of curiosities, meticulously annotated by hand.\u003cbr\u003e\u003cbr\u003eThe choice of title is both playful and rather melancholic - an oblique reference to a private eulogy for his childhood collection - a formal tribute to something lost.\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 44px;\"\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e\u003cspan\u003e76 x 56cm (image size: 74 x 47cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Graham Fagen\u003c\/h3\u003e\n\u003cp\u003eGraham Fagen was born in 1966 in Glasgow and lives and works in Scotland. He studied at Kent Institute of Art \u0026amp; Design in Canterbury and at Glasgow School of Art.\u003c\/p\u003e\n\u003cp\u003eRecent exhibitions include Gallery of Modern Art, Glasgow, Artist Film \u0026amp; Video at BBC Scotland, Glasgow International 2010, Somebody Else at The Changing Room, Stirling, Galerie Micky Schubert, Berlin and downpresser at Gallery of Modern Art, Glasgow. He showed at DCA in Killing Time with Graham Eatough in 2006.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Graham Fagen","offers":[{"title":"Default Title","offer_id":28875296649,"sku":"","price":420.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/My_Oology.jpg?v=1505403338"},{"product_id":"modern-lovers","title":"Modern Lovers (SOLD OUT)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eSusanne Nørregård Nielsen’s work re-animates and expands our dialogue with art history and its early pioneers of geometric abstraction. Paying homage to various iconic artists along the way, she appropriates specific works and genres, playing with their relationship to colour and nature. She often animates her works by adding an element of her own movement, as with \u003cem\u003eSuprematist Dress after Malevich \u003c\/em\u003e(2004), in which she is photographed mid-air, while dressed in a Suprematist dress. This screenprint, Modern Lovers, was developed by the artist as part of her exhibition \u003cem\u003eRed Yellow Blue\u003c\/em\u003e at DCA in 2009.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eModern Lovers \u003c\/em\u003ewe see an allegorical union of Modernist icons Sonia Delaunay (well known for her experimentation with movement and colour) and Giacomo Balla (co-founder of the Futurist movement, whose works depict the dynamism and speed of the 20th Century). Here the figures are portrayed by the brightly coloured planes and layers of their costumes alone. Through their figurative relationship and the multiple layers of the silk-screening process, Nielsen explores the interplay between colour, movement and the presence of the body within space. \u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300 gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e49 x 56cm (framed 54 x 60.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Susanne Nørregård Nielsen\u003c\/h3\u003e\n\u003cp\u003eSusanne Nørregård Nielsen was born in 1970 in Svendborg, Denmark. She graduated from Glasgow School of Art in 1998. She lives and works near Dundee and teaches in the Painting and Printmaking Department at Glasgow School of Art.\u003c\/p\u003e\n\u003cp\u003eShe was awarded a fellowship at the Pier Arts Centre in Orkney in 2001. Recent exhibitions include What in the world is more beautiful? at the Botanic Gardens in St Andrews, Fife, the Stills Residency programme in Edinburgh, 2007 and Red Yellow Blue at DCA in 2009.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003eSpread the cost of buying artwork with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.ownart.org.uk\/\" target=\"_blank\"\u003eOwn Art\u003c\/a\u003e and purchase\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModern Lovers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Susanne Nørregård Nielsen in 10 monthly payments of £20 (representative 0% APR). Email\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"mailto:onlineshop@dca.org.uk\" data-mce-fragment=\"1\" data-mce-href=\"mailto:onlineshop@dca.org.uk\"\u003eonlineshop@dca.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Susanne Nørregård Nielsen","offers":[{"title":"Modern Lovers","offer_id":32508537733156,"sku":"","price":240.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Modern_Lovers.jpg?v=1505402941"},{"product_id":"untitled-1","title":"Untitled","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eSteven Cairns’ works are an open ended exploration of visual and semiotic associations, often incorporating a collage-like aesthetic whether through film or on paper. He produced this edition with the DCA Print Studio whilst participating in the exhibition \u003cem\u003eThe Associates\u003c\/em\u003e for DCA's 10 year anniversary.\u003cbr\u003e\u003cbr\u003eIn this untitled print a photocopy of a supercomputer is inserted as backdrop to an image culled from an old National Geographic magazine portraying a group of children performing a trust exercise. Emphasizing the confines and materiality of the page, Cairns transposes a sense of cropping and layering to this digitally composed work; each element displaced from a particular time and context.\u003cbr\u003e\u003cbr\u003eEach print in this edition has been finished by the artist with an individual smear of varnish across the front of the image – a delicate but deliberate gesture, imbuing the print with a sense of play and reversal.\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e2009\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 44px;\"\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003e\u003cspan\u003eArchival digital print and spot varnish on Epson archival matte (192gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e\u003cspan\u003e30 x 21cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Steven Cairns\u003c\/h3\u003e\n\u003cp\u003eSteven Cairns was born in 1983 and graduated from Duncan of Jordanstone College of Art and Design in 2006. He currently lives and works in Dundee. His work was presented by Transmission Gallery during the Gothenburg biennial in 2007 and featured in The Associates for DCA’s 10 year anniversary in 2009.\u003c\/p\u003e\n\u003cp\u003eHe was recently selected for the exhibition Running Time: artist films in Scotland 1960 to now at the National Galleries, Scotland (October – November 2009).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Steven Cairns","offers":[{"title":"Default Title","offer_id":28875584009,"sku":"","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Untitled_Steven_Cairns.jpg?v=1505478032"},{"product_id":"headline","title":"Headline","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003ePrinted media (newspapers and magazines) is an ephemeral way for a culture to transmit information and to tell its stories, reflecting the changing nature of such narratives. Using this material in collage enables me to attempt to articulate my own intimate experiences via a collective language. These two prints explore the ‘language’ of private moments, made on a public stage\u003c\/em\u003e. \u003cstrong\u003eKevin Hutcheson\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCollage provides both the material and philosophical basis of Kevin Hutcheson’s practice. He makes work that attempts to record time and reinterpret experience, using imagery and text taken from a range of printed sources to explore different questions of both personal and cultural history, of context and narrative.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and dated by the artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2011\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (250gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e56 x 76cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Kevin Hutcheson\u003c\/h3\u003e\n\u003cp\u003eKevin Hutcheson (1971-2016), was born in Hamilton and studied at Duncan of Jordanstone College of Art \u0026amp; Design, Dundee (BA 1997), and Chelsea College of Art \u0026amp; Design (MFA 2002). He exhibited widely, including group shows at The Fruitmarket Gallery, Edinburgh (2000); Gallery of Modern Art, Glasgow (2004); Tate Modern, London (2007) and in ‘The Associates’ at Dundee Contemporary Arts (2009).\u003c\/p\u003e\n\u003cp\u003eSolo exhibitions include Collective Gallery, Edinburgh (2003); Jacky Strenz Gallery, Frankfurt (2009), Glasgow Project Room, Glasgow (2010) and Patricia Fleming Projects, Glasgow (2013). Following his sad and unexpected death in April 2016 his solo exhibition for Glasgow International Festival of Art went ahead as planned.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Kevin Hutcheson","offers":[{"title":"Default Title","offer_id":28891634441,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Headline.jpg?v=1505400272"},{"product_id":"ransom-note","title":"Ransom Note","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003ePrinted media (newspapers and magazines) is an ephemeral way for a culture to transmit information and to tell its stories, reflecting the changing nature of such narratives. Using this material in collage enables me to attempt to articulate my own intimate experiences via a collective language. These two prints explore the ‘language’ of private moments, made on a public stage\u003c\/em\u003e. \u003cstrong\u003eKevin Hutcheson\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCollage provides both the material and philosophical basis of Kevin Hutcheson’s practice. He makes work that attempts to record time and reinterpret experience, using imagery and text taken from a range of printed sources to explore different questions of both personal and cultural history, of context and narrative.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2011\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (250gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e56 x 76cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Kevin Hutcheson\u003c\/h3\u003e\n\u003cp\u003eKevin Hutcheson (1971-2016), was born in Hamilton and studied at Duncan of Jordanstone College of Art \u0026amp; Design, Dundee (BA 1997), and Chelsea College of Art \u0026amp; Design (MFA 2002). He exhibited widely, including group shows at The Fruitmarket Gallery, Edinburgh (2000); Gallery of Modern Art, Glasgow (2004); Tate Modern, London (2007) and in ‘The Associates’ at Dundee Contemporary Arts (2009).\u003c\/p\u003e\n\u003cp\u003eSolo exhibitions include Collective Gallery, Edinburgh (2003); Jacky Strenz Gallery, Frankfurt (2009), Glasgow Project Room, Glasgow (2010) and Patricia Fleming Projects, Glasgow (2013). Following his sad and unexpected death in April 2016 his solo exhibition for Glasgow International Festival of Art went ahead as planned.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Kevin Hutcheson","offers":[{"title":"Default Title","offer_id":28891688073,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Ransom_Note.jpg?v=1505404534"},{"product_id":"pink-curve","title":"Pink Curve (SOLD OUT)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eProduced in conjunction with the artist’s solo show Jonathan Horowitz: \u003cem\u003eMinimalist Works from the Holocaust Museum\u003c\/em\u003e at DCA, this print edition relates to Horowitz’s large scale fibreglass sculpture, which featured in the exhibition. Inspired by an Ellsworth Kelly white fibreglass sculpture in The Holocaust Museum in Washington, DC, the artist re-presents the original pure white form using an expanse of exuberant pink.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorowitz’s translation takes the original out of the closet and turns it into something more triumphant. But of course the pink triangle also marked out homosexuals in Nazi Germany so brings the issue of that minority in that holocaust to the fore. \u003c\/em\u003e\u003cstrong\u003eGraham Domke, Curator\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn print form, this work is also a reference to Ellsworth Kelly's much sought after limited editions (produced at Gemini G.E.L) and are created using the same original lithographic technique used by Kelly.\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 44px;\"\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 44px;\"\u003e\u003cspan\u003eLithograph on Somerset Satin White (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003e55 x 96cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Jonathan Horowitz\u003c\/h3\u003e\n\u003cp\u003eJonathan Horowitz was born in New York in 1966 and studied at Wesleyan University, Middletown, Connecticut and lives and works in New York. His solo shows include \u003cem\u003eJonathan Horowitz\/Silent Movie\/MATRIX 151\u003c\/em\u003e, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2003, and \u003cem\u003eTime, Life, People: Jonathan Horowitz at \u003c\/em\u003eKunsthalle St. Gallen, Switzerland, 2001.  His work has been included in numerous recent exhibitions including\u003cem\u003e Lines, Grids, Stains, Words, \u003c\/em\u003eat the Museum of Modern Art, New York, 2007; \u003cem\u003eArt in America: 300 Years of Innovation,\u003c\/em\u003e the National Art Museum of China, Beijing, organised by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art. \u003cem\u003eJonathan Horowitz: And\/Or\u003c\/em\u003e, at \u003cspan\u003eP.S.1 Contemporary Art Center, New York \u003c\/span\u003ein 2009 was his first solo exhibition in a New York museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003eSpread the cost of buying artwork with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.ownart.org.uk\/\" target=\"_blank\"\u003eOwn Art\u003c\/a\u003e and purchase\u003cem\u003e\u003cspan\u003e Pink Curve \u003c\/span\u003e\u003c\/em\u003eby Jonathan Horowitz in 10 monthly payments of £72\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(representative 0% APR). Email\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"mailto:onlineshop@dca.org.uk\" data-mce-fragment=\"1\" data-mce-href=\"mailto:onlineshop@dca.org.uk\"\u003eonlineshop@dca.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Jonathan Horowitz","offers":[{"title":"Pink Curve","offer_id":28891702985,"sku":"","price":720.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Pink_Curve.jpg?v=1505404216"},{"product_id":"tuttilino","title":"Tuttilino","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eOne of the most outstanding German artists of his generation, Manfred Pernice (b. Hildesheim, 1963) is known for anti-monumental work. Reflecting on the complex relationship between sculpture, visual art, architecture, city-building and human stories of time and place, Pernice creates objects and sculptures that suggest themselves as already existing in everyday life, formed of a language that is distinctively recognisable.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTuttilino\u003c\/em\u003e is a special edition developed by Pernice to coincide with the exhibition of \u003cem\u003edéjàVu\u003c\/em\u003e at Dundee Contemporary Arts, his first solo exhibition in the UK in partnership with Modern Art Oxford and SMAK, Ghent. Conceived as a project in three stages the exhibition was subtly transformed following the artist’s experiences in each location.\u003c\/p\u003e\n\u003cp\u003eThe centre-piece of the exhibition \u003cem\u003edéjàVu\u003c\/em\u003e was a re-presentation of \u003cem\u003eTutti\u003c\/em\u003e (2010). Referencing Pernice’s earlier ‘can’ structures or Dosen, the sculpture reveals four room-sized quadrants and is complete with a spiral staircase that elevates the viewer. This sculpture as vessel housed part of the exhibition including a number of linocut prints created at the DCA print studio; as well as becoming the site for various settings, its content rearticulated and modified as it journeys from place to place i.e. linoleum was selected as a floor covering at DCA whilst carpet was laid in Oxford.\u003c\/p\u003e\n\u003cp\u003eThe screenprinted imagery in \u003cem\u003eTuttilino\u003c\/em\u003e was collated from a number of local sources during Pernice’s time in Dundee including the nearby Kirkcaldy Museum which catalogues the linoleum industry. Local company Michael Nairn \u0026amp; Co. was at one time the largest producers of linoleum in the world. One image is of the Nairn factory in the 1940s when the building was used to produce bombs. The monotype foreground \u003cem\u003edéjàVu\u003c\/em\u003e motif is unique to each print – the blurring of the inks depicting a failed photograph taken by Pernice of a staircase winding around a can-kiosk in Berlin.\u003c\/p\u003e\n\u003ctable height=\"33\" width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2011\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint with monotype on GFSmith Plike White paper (240 gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e42 x 59.5cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Manfred Pernice\u003c\/h3\u003e\n\u003cp\u003ePernice’s first solo exhibition was at Galerie Neu in Berlin in 1995 and since that time he has continued to exhibit internationally in solo exhibitions organised by Musee d’art moderne de la Ville de Paris (1998); Portikus in Frankfurt and Hamburger Bahnhof in Berlin (2000); Sprengel Museum Hanover and Neues Museum in Nuremberg; Salzburger Kunstverein; CEAAC Strasbourg and Secession Vienna, 2010.\u003c\/p\u003e\n\u003cp\u003ePernice has also been included in many international group exhibitions such as the Lyon Biennale, 1997; Berlin Biennale of 1998; Skulptur Projekte Münster, 2007; 49 \u0026amp; 50 Biennale di Venezia, Venice 2003; documenta II, Kassel 2001; the inaugural exhibition of the New Museum of Contemporary Art, NY: Unmonumental: The Object in the 21st Century, 2007; 55th Carnegie International, 2008, 28 Bienal de Sao Paolo, 2010.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Manfred Pernice","offers":[{"title":"Default Title","offer_id":28891793353,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Tuttilino.jpg?v=1505477829"},{"product_id":"nae-sums","title":"Nae Sums","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eRuth Ewan’s work involves collaboration and participation, working with historians, activists, school children, musicians or composers she organises and creates diverse project-based works in the form of drawings, events, printed matter and installation. The artist describes her work as ‘conceptually led but socially realised’, referencing both recent and distant progressive histories.\u003c\/p\u003e\n\u003cp\u003eFor her DCA exhibition \u003cem\u003eBrank \u0026amp; Heckle\u003c\/em\u003e in 2011 she created an installation using wood from reclaimed Dundee school desks. The words Nae Sums cut from the wooden desk surface referenced the 1911 student strikes through which young people demanded a half day holiday and less homework. Many children in Dundee were forced to work in the jute mills, as well as go to school. This gesture is restated in her print edition in which the same words Nae Sums are deep embossed and then coated with a brown ink, reminiscent of the wooden school desks.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eRelief print on Somerset Textured white (300gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e50 x 56cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ruth Ewan\u003c\/h3\u003e\n\u003cp\u003eRuth Ewan was born in 1980 in Aberdeen, studied at Edinburgh College of Art and lives and works in London. Recent solo projects include \u003cem\u003eBillboard for Edinburgh\u003c\/em\u003e, Ingleby Gallery, Edinburgh, \u003cem\u003eDreadnoughts\u003c\/em\u003e Chisenhale, London, \u003cem\u003eThese Airwaves Neutralise the Tools of Oppression\u003c\/em\u003e, Frieze Projects, London, \u003cem\u003eFang Sang, Nought to Sixty\u003c\/em\u003e, ICA, London and \u003cem\u003eDid You Kiss the Foot that Kicked You?\u003c\/em\u003e, Artangel London.\u003c\/p\u003e\n\u003cp\u003eRecent group projects include \u003cem\u003eWeighted Words\u003c\/em\u003e, Zabludowicz Collection, London, \u003cem\u003eVolatile Dispersal\u003c\/em\u003e, Whitechapel Gallery, London, \u003cem\u003eThe Unsurpassable Horizon, No Soul for Sale\u003c\/em\u003e, Tate Moden, London and \u003cem\u003eYounger Than Jesus\u003c\/em\u003e, New Museum, New York.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.ruthewan.com\/\"\u003ewww.ruthewan.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ruth Ewan","offers":[{"title":"Default Title","offer_id":28891880009,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Ewan_Ruth_Nae_Sums.jpg?v=1505403368"},{"product_id":"june-floor-foreground-1","title":"June (floor\/foreground), 1","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eCara Tolmie’s practice spans installation, performance, video, music, text and spoken word. She developed these screenprints in DCA Print Studio to coincide with her 2011 exhibition \u003cem\u003e\u003ca href=\"http:\/\/www.dca.org.uk\/whats-on\/exhibitions\/read-thou-art-and-read-thou-shalt-remain.html\"\u003eRead Thou Art and Read Thou Shalt Remain\u003c\/a\u003e\u003c\/em\u003e at DCA.\u003c\/p\u003e\n\u003cp\u003eAs part of her installation she developed a model of an interior theatrical scene with a small stage which became the set for an imagined opera to subsequently take place. These prints directly reference the scene that featured in Tolmie’s video work \u003cem\u003eChronicle\u003c\/em\u003e screened at DCA. The intricate array of triangular sections in these prints are inspired by the hand made parquet-style wooden tiles that formed the floor of the model’s interior.\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300 gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003e43 x 30cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Cara Tolmie\u003c\/h3\u003e\n\u003cp\u003eCara Tolmie was born in Glasgow in 1984 and is a graduate of Duncan of Jordanstone College of Art \u0026amp; Design in Dundee. She lives and works in London and Glasgow.\u003c\/p\u003e\n\u003cp\u003eTolmie has received considerable acclaim for her performances at Art Basel, Miami Beach; Tramway, Glasgow; Serpentine Cinema; and Chisenhale Gallery, London. Recent exhibitions include Royal Academy, London, Sierra Metro, Edinburgh, Transmission Gallery and Low Salt, Glasgow. Tolmie was commissioned to create a site-specific work for Frieze Art Fair in 2011.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Cara Tolmie","offers":[{"title":"Default Title","offer_id":28892765449,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/floor_foreground_1.jpg?v=1505402014"},{"product_id":"copy-of-june-floor-foreground-2","title":"June (floor\/foreground), 2","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eCara Tolmie’s practice spans installation, performance, video, music, text and spoken word. She developed these screenprints in DCA Print Studio to coincide with her 2011 exhibition \u003cem\u003e\u003ca href=\"http:\/\/www.dca.org.uk\/whats-on\/exhibitions\/read-thou-art-and-read-thou-shalt-remain.html\"\u003eRead Thou Art and Read Thou Shalt Remain\u003c\/a\u003e\u003c\/em\u003e at DCA.\u003c\/p\u003e\n\u003cp\u003eAs part of her installation she developed a model of an interior theatrical scene with a small stage which became the set for an imagined opera to subsequently take place. These prints directly reference the scene that featured in Tolmie’s video work \u003cem\u003eChronicle\u003c\/em\u003e screened at DCA. The intricate array of triangular sections in these prints are inspired by the hand made parquet-style wooden tiles that formed the floor of the model’s interior.\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eType\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003eScreenprint on Somerset Satin White (300 gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003e43 x 30cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Cara Tolmie\u003c\/h3\u003e\n\u003cp\u003eCara Tolmie was born in Glasgow in 1984 and is a graduate of Duncan of Jordanstone College of Art \u0026amp; Design in Dundee. She lives and works in London and Glasgow.\u003c\/p\u003e\n\u003cp\u003eTolmie has received considerable acclaim for her performances at Art Basel, Miami Beach; Tramway, Glasgow; Serpentine Cinema; and Chisenhale Gallery, London. Recent exhibitions include Royal Academy, London, Sierra Metro, Edinburgh, Transmission Gallery and Low Salt, Glasgow. Tolmie was commissioned to create a site-specific work for Frieze Art Fair in 2011.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Cara Tolmie","offers":[{"title":"Default Title","offer_id":28892831113,"sku":"","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/floor_foreground_2.jpg?v=1505402035"},{"product_id":"startle","title":"False Positive, False Negative","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eFalse Positive, False Negative\u003c\/em\u003e was produced by Jane and Louise Wilson in DCA Print Studio as part of their new series of work \u003cem\u003eFace Scripting - What Did the Building See?\u003c\/em\u003e. The series was inspired by the assassination of Mahmoud Al-Mabhouh, a Hamas operative, in a Dubai hotel room in January 2010. \u003cem\u003eFalse Positive, False Negative \u003c\/em\u003euses the CCTV footage of the assassination, which was subsequently released by the Dubai state police, as the basis for the piece. The resultant print is a forensically detailed study in which the artists appear with patterns reminiscent of primitive masks painted onto their faces: dazzle camouflage designed to scramble the technology used by police for digital face recognition.\u003c\/p\u003e\n\u003cp\u003eThese uncanny yet beautiful prints are activated by the viewer's movement, triggering the appearance of ghostly figures, materialising then merging, shifting perceptions of what is visible within the faces and revealing the CCTV evidence beneath.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eFramed screenprint on mirrored acrylic\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e65 x 96.5cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist on verso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Jane and Louise Wilson\u003c\/h3\u003e\n\u003cp\u003eJane and Louise Wilson were born in Newcastle and studied respectively at Newcastle Polytechnic and Duncan of Jordanstone College of Art and Design, Dundee before undertaking an MA at Goldsmiths College of Art, London. They began working together in 1989 and since then have exhibited at major galleries internationally. They were nominated for the Turner Prize in 1999.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Jane and Louise Wilson","offers":[{"title":"Default Title","offer_id":28892859657,"sku":"","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/False_Positive.jpg?v=1505399306"},{"product_id":"the-double-session","title":"The Double Session (SOLD OUT)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eFor her solo exhibition Seasons and Sacraments at DCA, Jutta Koether demonstrated her distinct style inspired by two important series of paintings by the 17th century French artist Nicolas Poussin (1594 – 1665) via a series of large scale paintings.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Double Session\u003c\/em\u003e is an etching from two drawings on tracing paper by the artist, based on a photograph of a tableau vivant of Jacques Derrida recreating Poussin’s \u003cem\u003eMassacre of the Innocents\u003c\/em\u003e (c.1630). The number seven is embossed into the ceiling. The appearance of the four and the seven reiterate the idea of the \u003cem\u003eSeasons\u003c\/em\u003e and the \u003cem\u003eSacraments\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition on\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eTwo colour etching on somerset velvet radiant white paper (300gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e32 x 23cm (image 27 x 20.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist with individual annotations on verso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Jutta Koether\u003c\/h3\u003e\n\u003cp\u003eBased in Berlin and New York, Jutta Koether is currently a professor at the Hochschule für bildende Künste Hamburg. Recent exhibitions include the Whitney and Sao Paulo Biennials, the Moderna Museet, Stockholm and the VanAbbemuseum, Eindhoven. Seasons and Sacraments is her largest exhibition in the UK to date and coincides with her inclusion the Tate Modern exhibition A Bigger Splash.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003eSpread the cost of buying artwork with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.ownart.org.uk\/\" target=\"_blank\"\u003eOwn Art\u003c\/a\u003e and purchase\u003cem\u003e\u003cspan\u003e The Double Session \u003c\/span\u003e\u003c\/em\u003eby Jutta Koether in 10 monthly payments of £48\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(representative 0% APR). Email\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"mailto:onlineshop@dca.org.uk\" data-mce-fragment=\"1\" data-mce-href=\"mailto:onlineshop@dca.org.uk\"\u003eonlineshop@dca.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Jutta Koether","offers":[{"title":"Default Title","offer_id":28892932041,"sku":"","price":480.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/The_Double_Session.jpg?v=1505477242"},{"product_id":"geologic-intimacy","title":"Geologic Intimacy","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eIlana Halperin’s work \u003cem\u003eGeologic Intimacy\u003c\/em\u003e comprises a series of five woodblock prints made in collaboration with DCA Print Studio, exhibited in the Print Space at DCA from 21 July until the 22 September, and explores the artist’s longstanding fascination with geological phenomena.\u003c\/p\u003e\n\u003cp\u003eHalperin has a highly experimental approach to print-based processes, which is particularly visible in this project. First, a series of her original drawings were used to make laser-cut wooden forms at DCA Print Studio. These forms were submerged in the Blue Lagoon; an active geothermal pool in Iceland, where they were left to rapidly encrust with silica mineral deposits. Halperin made a Super 8 film documenting this process which you can find \u003ca href=\"http:\/\/geologicnotes.wordpress.com\/2012\/04\/13\/geological-home-movies\/\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eReturning to DCA Print Studio, she cut a similar set of woodblocks and used these to make the series of large-scale relief prints.\u003c\/p\u003e\n\u003cp\u003eThe sculptures, film and woodblock prints were shown together in the solo exhibition Steine at the Berliner Medizinhistorisches Museum der Charité in 2012. In addition this exhibition included a large-scale etching by Ilana, \u003cem\u003ePhysical Geology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeries of five woodblock prints, each is an edition of 10:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWe Form Geology\u003c\/li\u003e\n\u003cli\u003eAutobiographical Trace Fossils\u003c\/li\u003e\n\u003cli\u003eAn air Bubble, the Potential Origin of Life\u003c\/li\u003e\n\u003cli\u003eCorporeal Minerology\u003c\/li\u003e\n\u003cli\u003eA Bridge Between the Living and the Dying\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eIndividual prints are £720 or can be bought as a suite of five prints for £2,880 (including VAT). Please select desired woodblock or suite before adding to basket.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eWoodblock print on Saunders Waterford paper (300gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e152 x 125cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ilana Halperin\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003eMy work explores the relationship between geological phenomena and daily life. Drawing parallels between very personal events, for example when I was born or when my father died, with the birth of a volcano, allows for a space to think about our place within the geological time continuum from a more intimate perspective\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eBorn in 1973 in New York, USA, Ilana Halperin lives and works in Glasgow. She received her Master of Fine Arts from Glasgow School of Art, Scotland and her Bachelor of Arts from Brown University, Providence, Rhode Island. Recent solo exhibitions include in Berlin, Steine at the Berliner Medizinhistorisches Museum der Charité, and Hand Held Lava at Schering Stiftung. Group exhibitions include Volcano at Compton Verney in Warwickshire, England; Estratos, PAC Murcia, Spain; Polar Dispatches, Portland Museum of Art, Maine and the Sharjah Biennial.\u003c\/p\u003e\n\u003cp\u003eShe has received numerous awards, including a Creative Scotland Artist Award, British Council Darwin Now Award and Alchemy Fellowship at the Manchester Museum. She is currently the Artist-Curator of the geology collection of The Music Hall in Shrewsbury, the birthplace of Charles Darwin. Halperin is first Artist Fellow at the National Museum of Scotland, with a solo exhibition entitled The Library at the museum as part of the Edinburgh Art Festival, summer 2013.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ilana Halperin","offers":[{"title":"We Form Geology","offer_id":28892989769,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true},{"title":"Autobiographical Trace Fossils","offer_id":29463350409,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true},{"title":"An Air Bubble the Potential Origin of Life","offer_id":29463350473,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true},{"title":"Corporeal Minerology","offer_id":29463350537,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true},{"title":"A Bridge Between the Living and the Dying","offer_id":29463350601,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true},{"title":"Geologic Intimacy - Suite of 5 Prints","offer_id":29463450569,"sku":"","price":2880.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/We_Form_Geology.jpg?v=1505399804"},{"product_id":"physical-geology","title":"Physical Geology","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis large-scale etching by Ilana Halperin, editioned at DCA Print Studio, formed part of her solo exhibition \u003c\/span\u003e\u003cem\u003eSteine\u003c\/em\u003e\u003cspan\u003e at the Berliner Medizinhistorisches Museum der Charité in 2012, together with sculptures, film and the woodblock print series \u003c\/span\u003e\u003cem\u003eGeologic Intimacy\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eMy work explores the relationship between geological phenomena and daily life. Drawing parallels between very personal events, for example when I was born or when my father died, with the birth of a volcano, allows for a space to think about our place within the geological time continuum from a more intimate perspective\u003c\/em\u003e. \u003c\/span\u003e\u003cstrong\u003eIlana Halperin\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eEtching on Fabriano Artistico paper (300gsm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e91 x 114.5cm (image 61 x 86.5cm)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003esignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ilana Halperin\u003c\/h3\u003e\n\u003cp\u003eBorn in 1973 in New York, USA, Ilana Halperin lives and works in Glasgow. She received her Master of Fine Arts from Glasgow School of Art, Scotland and her Bachelor of Arts from Brown University, Providence, Rhode Island. Recent solo exhibitions include in Berlin, Steine at the Berliner Medizinhistorisches Museum der Charité, and Hand Held Lava at Schering Stiftung. Group exhibitions include Volcano at Compton Verney in Warwickshire, England; Estratos, PAC Murcia, Spain; Polar Dispatches, Portland Museum of Art, Maine and the Sharjah Biennial.\u003c\/p\u003e\n\u003cp\u003eShe has received numerous awards, including a Creative Scotland Artist Award, British Council Darwin Now Award and Alchemy Fellowship at the Manchester Museum. She is currently the Artist-Curator of the geology collection of The Music Hall in Shrewsbury, the birthplace of Charles Darwin. Halperin is first Artist Fellow at the National Museum of Scotland, with a solo exhibition entitled The Library at the museum as part of the Edinburgh Art Festival, summer 2013.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ilana Halperin","offers":[{"title":"Default Title","offer_id":28893077385,"sku":"","price":1800.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Physical_Geology.jpg?v=1505404085"},{"product_id":"a-lot-of-things-put-together-weight","title":"A Lot of Things Put Together (Weight)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eCiara Phillips’ screenprint \u003cem\u003eA Lot Of Things Put Together (Weight)\u003c\/em\u003e was produced by the artist in collaboration with DCA Print Studio for the DCA group exhibition \u003cem\u003eThere Will be New Rules Next Week\u003c\/em\u003e, bringing together prints by Sister Corita Kent (1918 - 1986) alongside five contemporary artists inspired by her printmaking and life-affirming teaching.\u003c\/p\u003e\n\u003cp\u003ePhillips, who is interested in working with prints in an expanded sense, produces textiles, photographs and wall paintings. For There Will Be New Rules Next Week she realised an expansive multi-panel piece on cotton, printed in DCA Print Studio. The work is inspired by banners from the Mary's Day parades of the Immaculate Heart Community in Los Angeles, where Corita Kent was active as artist and teacher.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eA Lot of Things Put Together\u003c\/em\u003e is taken from Sister Corita Kent's 1970 book \u003cem\u003eDamn Everything But the Circus\u003c\/em\u003e, an A B C book celebrating the 3-ring circus as a metaphor for life. The pair of screenprints are comprised of the two main images from this piece.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint with monotype on Heritage Bookwhite (315gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e114.5 x 84 cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist on verso\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ciara Phillips\u003c\/h3\u003e\n\u003cp\u003eCiara Phillips was born in 1976 in Ottawa, Canada and now lives and works in Glasgow. Phillips has recently shown alongside Sister Corita Kent at Spike Island, Bristol last year and has recently contributed a text to a major new monograph on Someday is Now: The Art of Corita Kent (Prestel).\u003cbr\u003e\u003cbr\u003eRecent exhibitions by Phillips include Inverleith House, Edinburgh; Spike Island, Bristol; Gregor Staiger, Zurich; Outpost, Norwich and CEAAC, Strasbourg. Upcoming is an exhibition at Showroom, London. Phillips is the 2014 artist-in-residence at St. John's College, Oxford and has been nominated for the Turner Prize 2014.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ciara Phillips","offers":[{"title":"Default Title","offer_id":28893108425,"sku":"","price":720.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/A_Lot_of_things_put_together_wuight.jpg?v=1505395662"},{"product_id":"a-lot-of-things-put-together-sophie","title":"A Lot of Things Put Together (Sophie)","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003eCiara Phillips’ screenprint \u003cem\u003eA Lot Of Things Put Together (Sophie)\u003c\/em\u003e was produced by the artist in collaboration with DCA Print Studio for the DCA group exhibition \u003cem\u003eThere Will be New Rules Next Week\u003c\/em\u003e, bringing together prints by Sister Corita Kent (1918 - 1986) alongside five contemporary artists inspired by her printmaking and life-affirming teaching.\u003c\/p\u003e\n\u003cp\u003ePhillips, who is interested in working with prints in an expanded sense, produces textiles, photographs and wall paintings. For There Will Be New Rules Next Week she realised an expansive multi-panel piece on cotton, printed in DCA Print Studio. The work is inspired by banners from the Mary's Day parades of the Immaculate Heart Community in Los Angeles, where Corita Kent was active as artist and teacher.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eA Lot of Things Put Together\u003c\/em\u003e is taken from Sister Corita Kent's 1970 book \u003cem\u003eDamn Everything But the Circus\u003c\/em\u003e, an A B C book celebrating the 3-ring circus as a metaphor for life. The pair of screenprints are comprised of the two main images from this piece.\u003c\/p\u003e\n\u003ctable width=\"216\" height=\"33\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003eScreenprint with monotype on Heritage Bookwhite (315gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003e\u003cspan\u003e114.5 x 84 cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 365px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px;\"\u003eSigned, numbered and dated by artist on verso\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Ciara Phillips\u003c\/h3\u003e\n\u003cp\u003eCiara Phillips was born in 1976 in Ottawa, Canada and now lives and works in Glasgow. Phillips has recently shown alongside Sister Corita Kent at Spike Island, Bristol last year and has recently contributed a text to a major new monograph on Someday is Now: The Art of Corita Kent (Prestel).\u003cbr\u003e\u003cbr\u003eRecent exhibitions by Phillips include Inverleith House, Edinburgh; Spike Island, Bristol; Gregor Staiger, Zurich; Outpost, Norwich and CEAAC, Strasbourg. Upcoming is an exhibition at Showroom, London. Phillips is the 2014 artist-in-residence at St. John's College, Oxford and has been nominated for the Turner Prize 2014.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ciara Phillips","offers":[{"title":"Default Title","offer_id":28893186057,"sku":"","price":720.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/A_Lot_of_things_put_together_Sophie.jpg?v=1505394833"},{"product_id":"margin","title":"Margin","description":"\u003ch2\u003eAbout the edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eMargin is a CYMK screenprint which is based on my sketchbook. Tucked in the book are some pages I cut out of a magazine and kept in the sketchbook for the past five years or so. I've travelled around various studios in several countries with these pages in my sketchbook. The magazine pages themselves are printed in litho[graphic] CYMK and are of a 15th-century Flemish tapestry which, at the time of printing, had recently been restored in a private collection. One day in the studio, I photographed the sketchbook with its edging of pages; to me, it summed up how I use anachronistic material in my own practise to rub up against newer ideas and material, how the past more generally is enveloped in the present, obscured and altered\u003c\/em\u003e. \u003cstrong\u003eLucy Skaer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"216\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eYear\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eEdition of\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22.5px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003eMedia\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22.5px;\"\u003e\u003cspan\u003eFour colour screenprint on Somerset Satin White (410gsm) paper\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003e148.5 x 101.5cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003eSignature\u003c\/td\u003e\n\u003ctd style=\"width: 365px; height: 22px;\"\u003e\u003cspan\u003eSigned, numbered and dated by artist\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cblockquote\u003e\n\u003ch3\u003eAbout Lucy Skaer\u003c\/h3\u003e\n\u003cp\u003eLucy Skaer was born in Cambridge in 1975. She completed her BA at the Glasgow School of Art. From 1997 Skaer co-founded the collaborative group Henry VIII’s Wives, and worked at Transmission gallery in Glasgow, where she had her first solo show in 2000.\u003c\/p\u003e\n\u003cp\u003eIn 2003 Skaer was short-listed for the art prize Becks Futures and exhibited at the first Scottish presentation at the Venice Biennale, where she also presented in 2007. Skaer’s solo presentations include a mid-career retrospective at the Fruitmarket Gallery in Edinburgh, ‘The Siege’ at the Chisenhale (both 2008) and a major show at Kunsthalle Basel 2009, for which she was nominated for the Turner Prize. Skaer lives and works in Glasgow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn Art \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWe're part of the Own Art scheme, a national initiative supported by Arts Council England, Arts Council of Wales, Creative Scotland and Arts Council of Northern Ireland. The scheme can provide finance options for the purchase of artwork - you can find more details \u003ca rel=\"noopener\" title=\"Own Art Key Information\" href=\"https:\/\/www.ownart.org.uk\/how-to-own-art\/\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmail onlineshop@dca.org.uk for more information or to buy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePick up in Store\u003c\/b\u003e\u003cbr aria-hidden=\"true\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan class=\"x_ContentPasted0\"\u003eIf you would like to buy online and then collect your edition at DCA, please select the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePick up\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eoption at checkout. We will then be in touch to arrange a convenient collection time with you. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Lucy Skaer","offers":[{"title":"Default Title","offer_id":28893214985,"sku":"","price":2200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/products\/Margin.jpg?v=1505402472"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1570\/8539\/collections\/David_Austen_La_Peste_300_dpi_EDIT_square.jpg?v=1764671660","url":"https:\/\/shop.dca.org.uk\/collections\/dcaeditions.oembed?page=13","provider":"Dundee Contemporary Arts","version":"1.0","type":"link"}