About the edition
Produced in conjunction with the artist’s solo show Jonathan Horowitz: Minimalist Works from the Holocaust Museum at DCA, this print edition relates to Horowitz’s large scale fibreglass sculpture, which featured in the exhibition. Inspired by an Ellsworth Kelly white fibreglass sculpture in The Holocaust Museum in Washington, DC, the artist re-presents the original pure white form using an expanse of exuberant pink.
Horowitz’s translation takes the original out of the closet and turns it into something more triumphant. But of course the pink triangle also marked out homosexuals in Nazi Germany so brings the issue of that minority in that holocaust to the fore. Graham Domke, Curator
In print form, this work is also a reference to Ellsworth Kelly's much sought after limited editions (produced at Gemini G.E.L) and are created using the same original lithographic technique used by Kelly.
|Media||Lithograph on Somerset Satin White (300gsm) paper|
|Dimensions||55 x 96cm|
|Signature||Signed, numbered and dated by artist|
About Jonathan Horowitz
Jonathan Horowitz was born in New York in 1966 and studied at Wesleyan University, Middletown, Connecticut and lives and works in New York. His solo shows include Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2003, and Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Switzerland, 2001. His work has been included in numerous recent exhibitions including Lines, Grids, Stains, Words, at the Museum of Modern Art, New York, 2007; Art in America: 300 Years of Innovation, the National Art Museum of China, Beijing, organised by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art. Jonathan Horowitz: And/Or, at P.S.1 Contemporary Art Center, New York in 2009 was his first solo exhibition in a New York museum.
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