About the edition
This print relates to the artist’s series of larger than life wooden martini sculptures and digital collage work Martini Bikinis, shown as part of the installation The Bathers / Edge of Town / Crème de Menthe in our Spring/Summer 2015 exhibition. While originating as large sculptural forms, these works carefully adhered to a flattened and linear ‘hand drawn’ aesthetic, which the artist retained in this translation into print.
| Year | 2016 |
| Edition of | 20 |
| Media | Etching on Canson Mi-tientes, Rose foncé No 352, 160 gsm 50% cotton rag |
| Dimensions | 48.5 x 35.5cm |
| Signature | Signed, numbered and dated by artist |
About Clare Stephenson
Solo exhibitions include Abs Minimum, Glasgow Project Room (2013), She-who-is-the-Maker-of-Objects, Linn Lühn, Düsseldorf (2011) and She-who-Presents, Spike Island, Bristol (2009). Group shows and collaborative projects include: Costume: Written Clothing, Tramway, Glasgow (2013); Boredom & Ornament, ICA, London (2012); Shoplifters, Shopgirls (with Sophie Macpherson), Tramway, Glasgow (2012); Madame Realism, Marres Centre for Contemporary Culture, Maastricht (2011); Compass: Drawings from the Museum of Modern Art New York, Martin Gropius Bau, Berlin; Newspeak: British Art Now, Saatchi Gallery, London (2010); and The Associates, DCA (2009).
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